D Is for Deadbeat

      Sue Grafton
D Is for Deadbeat

When Alvin Limardo walks into P.I. Kinsey Millhone's office, she smells bad news. He wants Kinsey to deliver $25,000. The recipient: A fifteen-year-old boy. It's a simple matter. So simple that Kinsey wonders why he doesn't deliver the money himself. She's almost certain something is off. But with rent due, Kinsey accepts Limardo's retainer against her better judgment…

When Limardo's check bounces, Kinsey discovers she's been had big time. Alvin Limardo is really John Daggett—an ex-con with a drinking problem, two wives to boot, and a slew of people who would like to see him dead. Now Kinsey is out four hundred dollars and in hot pursuit of Daggett.

When Daggett's corpse shows up floating in the Santa Teresa surf, the cops rule the death an accident. Kinsey thinks it's murder. But seeking justice for a man who everyone seemed to despise is going to be a lot tougher than she bargained for—and what awaits her at the end of the road is much more disturbing than she could've ever imagined…


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    J Is for Judgment

      Sue Grafton
J Is for Judgment

"J" is for Jaffe: Wendell Jaffe, dead these past five years. Or so it seemed until his former insurance agent spotted him in the bar of a dusty little resort halfway between Cabo San Lucas and La Paz.

"In truth, the facts about Wendell Jaffe had nothing to do with my family history, but murder is seldom tidy and no one ever said revelations operate in a straight line. It was my investigation into the dead man's past that triggered the inquiry into my own, and in the end the two stories became difficult to separate."

Five years ago, when Jaffe's thirty-five-foot Fuji ketch was found drifting off the Baja coast, it seemed a sure thing he'd gone overboard. The note he left behind admitted he was flat broke, his business bankrupt, his real estate gambit nothing but a huge Ponzi scheme about to collapse, with criminal indictment certain to follow. When the authorities soon after descended on his banks and his books, there was nothing left: Jaffe had stripped the lot.

"Given my insatiable curiosity and my natural inclination to poke my nose in where it doesn't belong, it was odd to realize how little attention I'd paid to my own past. I'd simply accepted what I was told, constructing my personal mythology on the flimsiest of facts."

But Jaffe wasn't quite without assets. There was the $500,000 life insurance policy made out to his wife and underwritten by California Fidelity. With no corpse to prove death, however, the insurance company was in no hurry to pay the claim. Dana Jaffe had to wait out the statutory five years until her missing husband could be declared legally dead. Just two months before Wendell Jaffe was sighted in that dusty resort bar, California Fidelity finally paid in full. Now they wanted the truth. And they were willing to hire Kinsey Millhone to dig it up.

As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe's pseudocide, she explores her own past, discovering that in family matters as in crime, sometimes it's better to reserve judgment.

"J" is for judgment: the kind we're quick to make and often quicker to regret.

"J" Is for Judgment: Kinsey Millhone's tenth excursion into the dark places of the heart where duplicity is the governing rule and murder the too-frequent result.


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    T Is for Trespass

      Sue Grafton
T Is for Trespass

trespass 'trespes n: a transgression of law involving one's obligations to God or to one's neighbor; a violation of moral law; an offense; a sin
-Webster's New International Dictionary, Second Edition, Unabridged

In what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene. Though set in the late eighties, T is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric. Once again, Grafton opens up new territory with startling results.


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    C Is for Corpse

      Sue Grafton
C Is for Corpse

C IS FOR CALCULATED

How do you go about solving an attempted murder when the victim has lost a good part of his memory? It's one of Kinsey's toughest cases yet, but she never backs down from a challenge. Twenty-three-year-old Bobby Callahan is lucky to be alive after a car forced his Porsche over a bridge and into a canyon. The crash left Bobby with a clouded memory. But he can't shake the feeling it was no random accident and that he's still in danger…

C IS FOR CRIME

The only clues Kinsey has to go on are a little red address book and the name "Blackman." Bobby can't remember who he gave the address book to for safekeeping. And any chances of Bobby regaining his memory are dashed when he's killed in another automobile accident just three days after he hires Kinsey.

C IS FOR CORPSE

As Kinsey digs deeper into her investigation, she discovers Bobby had a secret worth killing for―and unearthing that secret could send Kinsey to her own early death…


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    I Is for Innocent

      Sue Grafton
I Is for Innocent

Five years ago David Barney was acquitted of the murder of his rich wife, Isabelle. Now, Isabelle's ex-husband, Ken Voigt—who is suing Barney for her estate—is claiming the jury made a fatal mistake...

Enter P.I. Kinsey Millhone, who takes the Barney case over from a former colleague…and comes up with more questions than answers. Why are Mr. Barney's witnesses denying ever having spoken to him? Why did Isabelle have so many enemies—including but not limited to her best friend, Voight's second wife, and her own twin sister?

But the most troubling question of all is: Why is it that everything David Barney has to say about his beloved Isabelle still checks out? Now it's up to Kinsey to figure out who's getting away with murder….before she courts her own.


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    K Is for Killer

      Sue Grafton
K Is for Killer

When Kinsey Millhone answers her office door late one night, she lets in more darkness than she realizes. Janice Kepler is a grieving mother who can't let the death of her beautiful daughter Lorna alone. The police agree that Lorna was murdered, but a suspect was never apprehended and the trail is now ten months cold. Kinsey pieces together Lorna's young life: a dull day job a the local water treatment plant spiced by sidelines in prostitution and pornography. She tangles with Lorna's friends: a local late-night DJ; a sweet, funny teenaged hooker; Lorna's sloppy landlord and his exotic wife. But to find out which one, if any, turned killer, Kinsey will have to inhabit a netherworld from which she may never return.

From the Paperback edition.


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    P Is for Peril

      Sue Grafton
P Is for Peril

Dr. Dowan Purcell is al bijna twee maanden spoorloos. De negenzestigjarige arts heeft zijn collega s bij het Pacific Meadows verzorgingstehuis gedag gezegd en is met zijn auto naar huis gegaan, maar daar is hij nooit aangekomen.
Zijn verbitterde eerste vrouw Fiona is ervan overtuigd dat hij nog in leven is. Maar zijn tweede vrouw, Crystal, een voormalig stripper van negenentwintig, weet zeker dat hij dood is. Daarom huurt Fiona Kinsey Millhone in om het uit te zoeken. Al snel ontdekt Kinsey dat Purcell betrokken was bij allerlei duistere zaken. Verzekeringsfraude is slechts een draadje in het web van bedrog en dubbelspel waar Kinsey in terechtkomt.
En dan is er ook nog Tommy Hevener, een aantrekkelijke roodharige twintiger die zijn zinnen heeft gezet op Kinsey. Een man met een interessant verleden


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    B Is for Burglar

      Sue Grafton
B Is for Burglar

Although business has been slow lately for P.I. Kinsey Millhone, she's reluctant to take on the case of locating Beverly Danziger's sister Elaine Boldt. It's a small matter that Beverly should be able to handle herself. So why is she enlisting Kinsey's services? Beverly claims she needs Elaine's signature on some documents so that she can collect a small inheritance. But the whole affair doesn't sit well with Kinsey. And if there's something she's learned in her line of work, it's to always follow your instincts…

Kinsey's hunch proves true when she begins her inquiries into Elaine's whereabouts and discovers that the attractive widow was last seen in a flashy lynx coat boarding a plane for Boca Raton. But the more Kinsey searches for Elaine the more questions she encounters. Is Elaine's disappearance tied in to the brutal murder several months ago of one of her bridge partners? And what happened to Elaine's Persian cat who seems to have also vanished?

Things take a turn for the worse when a stranger vandalizes the home of one of Elaine's neighbors and another neighbor turns up murdered. With her reputation and career on the line, Kinsey risks all to find a missing woman and a killer who's waiting in the shadows to strike again…


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    E Is for Evidence

      Sue Grafton
E Is for Evidence

Anyone who knows me will tell you that I cherish my unmarried state. I’m female, twice divorced, no kids and no close family ties. I’m perfectly content to do what I do . . .

It was two days after Christmas when Kinsey Millhone received the bank slip showing a credit for five thousand dollars.

The account number was correct but Kinsey hadn’t made the deposit.

Then came the phone call and suddenly everything became clear. The frame-up was working and Kinsey was trapped . . .


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    U Is for Undertow

      Sue Grafton
U Is for Undertow

This title is from Diamond Dagger winner Sue Grafton - Kinsey Millhone's latest compelling case. In 1960s Santa Teresa, California, a child is kidnapped and never returned...When the case is reopened after twenty years, a man - Michael Sutton - contacts private detective Kinsey Millhone for help. He claims to have recalled a strange and disturbing memory which just might provide the key to the mystery. He may have stumbled across the kidnappers burying Mary Claire Fitzhugh's body...But Michael's account is indistinct - he was only six years old at the time of the kidnapping; and even members of his family try to discredit his evidence. But Kinsey is certain there is something vital within Michael's recollections. And even when what is eventually unearthed isn't what anyone expected, she can't quite let go of the case. As Kinsey gradually brings to light the stories of the protagonists involved in the tragedy, from Country Club parents to their free-living, hippy children, the truth finally begins to emerge. And while stepping back into the past, Kinsey discovers more about her own history too...


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    R Is for Ricochet

      Sue Grafton
R Is for Ricochet

Reba Lafferty was a daughter of privilege, the only child of an adoring father. Nord Lafferty was already in his fifties when Reba was born, and he could deny her nothing. Over the years, he quietly settled her many scrapes with the law, but he wasn't there for her when she was convicted of embezzlement and sent to the California Institution for Women. Now, at thirty-two, she is about to be paroled, having served twenty-two months of a four-year sentence. Nord Lafferty wants to be sure she stays straight, stays at home and away from the drugs, the booze, the gamblers." "It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the rules of her parole. Maybe all of a week's work. Nothing untoward - the woman seems remorseful and friendly. And the money is good." But life is never that simple, and Reba is out of prison less than twenty-four hours when one of her old crowd comes circling round.


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    F Is for Fugitive

      Sue Grafton
F Is for Fugitive

Floral Beach wasn't much of a town: six streets long and three deep, its only notable feature a strip of sand fronting the Pacific. It was on that sandy beach seventeen years ago that the strangled body of Jean Timberlake had been found.

The people of floral Beach didn't pay a whole lot of mind to past history, especially when Bailey Fowler, the self-confessed killer, had been properly processed and convicted. They weren't even unduly concerned when, a year after the murder, Fowler walked away from the men's prison at San Luis Obispo, never to be seen again. After all, everyone knew Jean had been a wild kid. "Like mother, like daughter," some said--though never within hearing of Shana Timberlake, who, whatever her faults, still mourned her murdered child.

And then, by sheer fluke, the cops stumbled on Bailey Fowler. And a case seventeen years dead came murderously to life again.

For Royce Fowler, old and sick with not much time left, his son's reappearance was the chance to heal an old wound. For Kinsey Millhone, the case was a long shot, but she agreed to take it on. She couldn't know then it would lead her to probe the passions buried just below the surface of family relations, where old wounds fester and the most cherished emotions become warped until they fuse into deadly, soul-destroying time bombs.


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    "S" is for Silence

      Sue Grafton
"S" is for Silence

Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again.

In the small California town of Serena Station, tongues wagged. Some said she'd run off with a lover. Some said she was murdered by her husband.

But for the not-quite-seven-year-old daughter Daisy she left behind, Violet's absence has never been explained or forgotten.

Now, thirty-four years later, she wants the solace of closure.

In S is for Silence, Kinsey Millhone's nineteenth excursion into the world of suspense and misadventure, S is for surprises as Sue Grafton takes a whole new approach to telling the tale. And S is for superb: Kinsey and Grafton at their best.


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    A Is for Alibi

      Sue Grafton
A Is for Alibi

A IS FOR AVENGER
A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. A twice-divorced loner with few personal possessions and fewer personal attachments, she's got a soft spot for underdogs and lost causes.

A IS FOR ACCUSED
That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.

A IS FOR ALIBI
If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer--and sharper--than she imagined.

"A" Is for Alibi
"B" Is for Burglar
"C" Is for Corpse
"D" Is for Deadbeat
"E" Is for Evidence
"F" Is for Fugitive
"G" Is for Gumshoe
"H" Is for Homicide
"I" Is for Innocent
"J" Is for Judgment
"K" Is for Killer
"L" is for Lawless
"M" Is for Malice
"N" Is for Noose
"O" Is for Outlaw
"P" Is for Peril
"Q" Is for Quarry
"R" Is for Ricochet
"S" Is for Silence
"T" Is for Trespass
"U" Is for Undertow
"V" Is for Vengeance
"W" Is for Wasted
"X"
“Y” Is for Yesterday
The letter Z was unfinished at the time of her death 12/28/2017


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    Y Is for Yesterday

      Sue Grafton
Y Is for Yesterday

The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate—and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state’s evidence and two of his peers are convicted. But the ringleader escapes without a trace.

Now, it’s 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents—until a copy of the missing tape arrives with a ransom demand. That’s when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he’s not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find…


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    Q Is for Quarry

      Sue Grafton
Q Is for Quarry

She was a "Jane Doe," an unidentified white female whose decomposed body was discovered near a quarry off California's Highway 1. The case fell to the Santa Teresa County Sheriff's Department, but the detectives had little to go on. The woman was young, her hands were bound with a length of wire, there were multiple stab wounds, and her throat had been slashed. After months of investigation, the murder remained unsolved.

That was eighteen years ago. Now the two men who found the body, both nearing the end of long careers in law enforcement, want one last shot at the case. Old and ill, they need someone to help with their legwork and they turn to Kinsey Millhone. They will, they tell her, find closure if they can just identify the victim. Kinsey is intrigued and agrees to the job.

But revisiting the past can be a dangerous business, and what begins with the pursuit of Jane Doe's real identity ends in a high-risk hunt for her killer.

"Q" is for Quarry is based on an unsolved homicide that occurred in 1969, and Grafton's interest in the case has generated renewed police efforts. During the past year, the body was exhumed and a nationally known forensic artist did the facial reconstruction that appears in the closing pages of "Q" is for Quarry. Both Grafton and the dedicated members of the Santa Barbara Sheriff's Department are hoping the photograph will trigger memories that may lead to a positive identification.

On the day Jane Doe was reburied, many officers were at the gravesite. "It's eerie," Grafton writes, "to think about the power this woman still has. Here we are, thirty-three years later, and she still wants to go home."


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    W Is for Wasted

      Sue Grafton
W Is for Wasted

Two dead men changed the course of my life that fall. One of them I knew and the other I’d never laid eyes on until I saw him in the morgue.

The first was a local PI of suspect reputation. He’d been gunned down near the beach at Santa Teresa. It looked like a robbery gone bad. The other was on the beach six weeks later. He’d been sleeping rough. Probably homeless. No identification. A slip of paper with Millhone’s name and number was in his pants pocket. The coroner asked her to come to the morgue to see if she could ID him.

Two seemingly unrelated deaths, one a murder, the other apparently of natural causes.

But as Kinsey digs deeper into the mystery of the John Doe, some very strange linkages begin to emerge. And before long at least one aspect is solved as Kinsey literally finds the key to his identity. “And just like that,” she says, “the lid to Pandora’s box flew open. It would take me another day before I understood how many imps had been freed, but for the moment, I was inordinately pleased with myself.”

In this multilayered tale, the surfaces seem clear, but the underpinnings are full of betrayals, misunderstandings, and outright murderous fraud. And Kinsey, through no fault of her own, is thoroughly compromised.

W is for . . . wanderer . . . worthless . . . wronged . . .

W is for wasted.


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    G Is for Gumshoe

      Sue Grafton
G Is for Gumshoe

"One of the sassiest, most appealing of the recent spate of female gunshoes . . . 'G' is for glorious, galloping read, and I can't wait for 'H' ."
--Louise Bernikow, Cosmopolitan

Good and bad things seem to be coming in threes for Kinsey Millhone: on her thirty-third birthday she moves back into her renovated apartment, gets hired to find an elderly lady supposedly living in the Mojave Desert by herself, and makes the top of ex-con Tyrone Patty's hit list. It's the last that convinces Kinsey even she can't handle whoever's been hired to whack her, and she gets herself a bodyguard: Robert Dietz, a Porsche-driving P.I. who takes guarding Kinsey's body very seriously. With Dietz watching her for the merest sign of her usual recklessness, Kinsey plunges into her case. And before it's over, she'll unearth the gruesome truth about a long-buried betrayal and, in the process, come fact-to-face with her own mortality. . . .

"Wit is the most versatile weapon in Sue Grafton's well-stocked arsenal, and she uses it with disarming precision. . . . Grafton excels in this milieu."
--Newsweek

"The story is complex; the body-count high; the sexual encounters feverish; and the villains chilling--in another can't-put-it-down outing for this talented author."
--Kirkus Reviews

From the Paperback edition.


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