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       Conan the Barbarian: The Stories That Inspired the Movie, p.1

           Robert E. Howard
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Conan the Barbarian: The Stories That Inspired the Movie


  Praise for

  Robert E. Howard

  “I adore these books. Howard had a gritty, vibrant style—broadsword writing that cut its way to the heart, with heroes who are truly larger than life. I heartily recommend them to anyone who loves fantasy.”

  —DAVID GEMMELL,

  author of Legend and White Wolf

  “The voice of Robert E. Howard still resonates after decades with readers—equal parts ringing steel, thunderous horse hooves, and spattered blood. Far from being a stereotype, his creation of Conan is the high heroic adventurer. His raw muscle and sinews, boiling temper, and lusty laughs are the gauge by which all modern heroes must be measured.”

  —ERIC NYLUND,

  author of Halo: The Fall of Reach and

  Signal to Noise

  “That teller of marvelous tales, Robert Howard, did indeed create a giant [Conan] in whose shadow other ‘hero tales’ must stand.”

  —JOHN JAKES,

  New York Times bestselling author

  of the North and South trilogy

  “For stark, living fear … what other writer is even in the running with Robert E. Howard?”

  —H. P. LOVECRAFT

  “Howard … painted in about the broadest strokes imaginable. A mass of glimmering black for the menace, an ice-blue cascade for the hero, between them a swath of crimson for battle, passion, blood.”

  —FRITZ LIEBER

  “Forget Schwarzenegger and the movies. This is pure pulp fiction from the 1930s, before political corrections and focus groups dictated the direction of our art. Swords spin, entrails spill, and women swoon.”

  —Men’s Health

  “Howard wrote pulp adventure stories of every kind, for every market he could find, but his real love was for supernatural adventure and he brought a brash, tough element to the epic fantasy which did as much to change the course of the American school away from precious writing and static imagery as Hammett, Chandler, and the Black Mask pulp writers were to change the course of American detective fiction.”

  —MICHAEL MOORCOCK,

  award-winning author of the Elric saga

  “In this, I think, the art of Robert E. Howard was hard to surpass: vigor, speed, vividness. And always there is that furious, galloping narrative pace.”

  —POUL ANDERSON

  “Howard honestly believed the basic truth of the stories he was telling. It’s as if he’d said, ‘This is how life really was lived in those former savage times!’ ”

  —DAVID DRAKE,

  author of Grimmer Than Hell and Dogs of War

  “For headlong, nonstop adventure and for vivid, even florid, scenery, no one even comes close to Howard.”

  —HARRY TURTLEDOVE

  THE FULLY ILLUSTRATED ROBERT E. HOWARD LIBRARY from Del Rey Books

  The Coming of Conan the Cimmerian

  The Savage Tales of Solomon Kane

  The Bloody Crown of Conan

  Bran Mak Morn: The Last King

  The Conquering Sword of Conan Kull: Exile of Atlantis

  The Best of Robert E. Howard, Volume 1: Crimson Shadows

  The Best of Robert E. Howard, Volume 2: Grim Lands

  The Horror Stories of Robert E. Howard

  El Borak and Other Desert Adventures

  Sword Woman and Other Historical Adventures

  Conan the Barbarian is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

  A Del Rey Mass Market Original

  Copyright © 2011 by Robert E. Howard Properties, Inc.

  All rights reserved.

  Published in the United States by Del Rey, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  DEL REY is a registered trademark and the Del Rey colophon is a trademark of Random House, Inc.

  © 2011 Conan Properties International LLC (“CPI”). CONAN, CONAN THE BARBARIAN, HYBORIA, and related logos, names and character likenesses thereof are trademarks or registered trademarks of CPI. All rights reserved. ROBERT E. HOWARD is a trademark or registered trademark of Robert E. Howard Properties Inc. Used with permission. All Rights Reserved.

  Published by arrangement with Robert E. Howard Properties, Inc.

  eISBN: 978-0-345-53124-7

  www.delreybooks.com

  v3.1

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  The Phoenix on the Sword

  First published in Weird Tales, December 1932

  The People of the Black Circle

  First published in Weird Tales, September, October, November 1934

  The Tower of the Elephant

  First published in Weird Tales, March 1933

  Queen of the Black Coast

  First published in Weird Tales, May 1934

  Red Nails

  First published in Weird Tales, July, August–September, and October 1936

  Rogues in the House

  First published in Weird Tales, January 1934

  The Phoenix on the Sword

  The Phoenix on the Sword

  I

  “Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars – Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”

  –The Nemedian Chronicles.

  Over shadowy spires and gleaming towers lay the ghostly darkness and silence that runs before dawn. Into a dim alley, one of a veritable labyrinth of mysterious winding ways, four masked figures came hurriedly from a door which a dusky hand furtively opened. They spoke not but went swiftly into the gloom, cloaks wrapped closely about them; as silently as the ghosts of murdered men they disappeared in the darkness. Behind them a sardonic countenance was framed in the partly opened door; a pair of evil eyes glittered malevolently in the gloom.

  “Go into the night, creatures of the night,” a voice mocked. “Oh, fools, your doom hounds your heels like a blind dog, and you know it not.”

  The speaker closed the door and bolted it, then turned and went up the corridor, candle in hand. He was a somber giant, whose dusky skin revealed his Stygian blood. He came into an inner chamber, where a tall, lean man in worn velvet lounged like a great lazy cat on a silken couch, sipping wine from a huge golden goblet.

  “Well, Ascalante,” said the Stygian, setting down the candle, “your dupes have slunk into the streets like rats from their burrows. You work with strange tools.”

  “Tools?” replied Ascalante. “Why, they consider me that. For months now, ever since the Rebel Four summoned me from the southern desert, I have been living in the very heart of my enemies, hiding by day in this obscure house, skulking through dark alleys and darker corridors at night. And I have accomplished what those rebellious nobles could not. Working through them, and through other age
nts, many of whom have never seen my face, I have honeycombed the empire with sedition and unrest. In short I, working in the shadows, have paved the downfall of the king who sits throned in the sun. By Mitra, I was a statesman before I was an outlaw.”

  “And these dupes who deem themselves your masters?”

  “They will continue to think that I serve them, until our present task is completed. Who are they to match wits with Ascalante? Volmana, the dwarfish count of Karaban; Gromel, the giant commander of the Black Legion; Dion, the fat baron of Attalus; Rinaldo, the hare-brained minstrel. I am the force which has welded together the steel in each, and by the clay in each, I will crush them when the time comes. But that lies in the future; tonight the king dies.”

  “Days ago I saw the imperial squadrons ride from the city,” said the Stygian.

  “They rode to the frontier which the heathen Picts assail – thanks to the strong liquor which I’ve smuggled over the borders to madden them. Dion’s great wealth made that possible. And Volmana made it possible to dispose of the rest of the imperial troops which remained in the city. Through his princely kin in Nemedia, it was easy to persuade King Numa to request the presence of Count Trocero of Poitain, seneschal of Aquilonia; and of course, to do him honor, he’ll be accompanied by an imperial escort, as well as his own troops, and Prospero, King Conan’s right-hand man. That leaves only the king’s personal bodyguard in the city—besides the Black Legion. Through Gromel I’ve corrupted a spendthrift officer of that guard, and bribed him to lead his men away from the king’s door at midnight.

  “Then, with sixteen desperate rogues of mine, we enter the palace by a secret tunnel. After the deed is done, even if the people do not rise to welcome us, Gromel’s Black Legion will be sufficient to hold the city and the crown.”

  “And Dion thinks that crown will be given to him?”

  “Yes. The fat fool claims it by reason of a trace of royal blood. Conan makes a bad mistake in letting men live who still boast descent from the old dynasty, from which he tore the crown of Aquilonia.

  “Volmana wishes to be reinstated in royal favor as he was under the old regime, so that he may lift his poverty-ridden estates to their former grandeur. Gromel hates Pallantides, commander of the Black Dragons, and desires the command of the whole army, with all the stubbornness of the Bossonian. Alone of us all, Rinaldo has no personal ambition. He sees in Conan a red-handed, rough-footed barbarian who came out of the north to plunder a civilized land. He idealizes the king whom Conan killed to get the crown, remembering only that he occasionally patronized the arts, and forgetting the evils of his reign, and he is making the people forget. Already they openly sing The Lament for the King in which Rinaldo lauds the sainted villain and denounces Conan as ‘that black-hearted savage from the abyss.’ Conan laughs, but the people snarl.”

  “Why does he hate Conan?”

  “Poets always hate those in power. To them perfection is always just behind the last corner, or beyond the next. They escape the present in dreams of the past and future. Rinaldo is a flaming torch of idealism, rising, as he thinks, to overthrow a tyrant and liberate the people. As for me – well, a few months ago I had lost all ambition but to raid the caravans for the rest of my life; now old dreams stir. Conan will die; Dion will mount the throne. Then he, too, will die. One by one, all who oppose me will die – by fire, or steel, or those deadly wines you know so well how to brew. Ascalante, king of Aquilonia! How like you the sound of it?”

  The Stygian shrugged his broad shoulders.

  “There was a time,” he said with unconcealed bitterness, “when I, too, had my ambitions, beside which yours seem tawdry and childish. To what a state I have fallen! My old-time peers and rivals would stare indeed could they see Thoth-amon of the Ring serving as the slave of an outlander, and an outlaw at that; and aiding in the petty ambitions of barons and kings!”

  “You laid your trust in magic and mummery,” answered Ascalante carelessly. “I trust my wits and my sword.”

  “Wits and swords are as straws against the wisdom of the Darkness,” growled the Stygian, his dark eyes flickering with menacing lights and shadows. “Had I not lost the Ring, our positions might be reversed.”

  “Nevertheless,” answered the outlaw impatiently, “you wear the stripes of my whip on your back, and are likely to continue to wear them.”

  “Be not so sure!” The fiendish hatred of the Stygian glittered for an instant redly in his eyes. “Some day, somehow, I will find the Ring again, and when I do, by the serpent-fangs of Set, you shall pay –”

  The hot-tempered Aquilonian started up and struck him heavily across the mouth. Thoth reeled back, blood starting from his lips.

  “You grow over-bold, dog,” growled the outlaw. “Have a care; I am still your master who knows your dark secret. Go upon the housetops and shout that Ascalante is in the city plotting against the king – if you dare.”

  “I dare not,” muttered the Stygian, wiping the blood from his lips.

  “No, you do not dare,” Ascalante grinned bleakly. “For if I die by your stealth or treachery, a hermit priest in the southern desert will know of it, and will break the seal of a manuscript I left in his hands. And having read, a word will be whispered in Stygia, and a wind will creep up from the south by midnight. And where will you hide your head, Thoth-amon?”

  The slave shuddered and his dusky face went ashen.

  “Enough!” Ascalante changed his tone peremptorily. “I have work for you. I do not trust Dion. I bade him ride to his country estate and remain there until the work tonight is done. The fat fool could never conceal his nervousness before the king today. Ride after him, and if you do not overtake him on the road, proceed to his estate and remain with him until we send for him. Don’t let him out of your sight. He is mazed with fear, and might bolt – might even rush to Conan in a panic, and reveal the whole plot, hoping thus to save his own hide. Go!”

  The slave bowed, hiding the hate in his eyes, and did as he was bidden. Ascalante turned again to his wine. Over the jeweled spires was rising a dawn crimson as blood.

  II

  When I was a fighting-man, the kettle-drums they beat,

  The people scattered gold-dust before my horse’s feet;

  But now I am a great king, the people hound my track

  With poison in my wine-cup, and daggers at my back.

  –The Road of Kings.

  The room was large and ornate, with rich tapestries on the polished-panelled walls, deep rugs on the ivory floor, and with the lofty ceiling adorned with intricate carvings and silver scrollwork. Behind an ivory, gold-inlaid writing-table sat a man whose broad shoulders and sun-browned skin seemed out of place among those luxuriant surroundings. He seemed more a part of the sun and winds and high places of the outlands. His slightest movement spoke of steel-spring muscles knit to a keen brain with the co-ordination of a born fighting-man. There was nothing deliberate or measured about his actions. Either he was perfectly at rest – still as a bronze statue – or else he was in motion, not with the jerky quickness of over-tense nerves, but with a cat-like speed that blurred the sight which tried to follow him.

  His garments were of rich fabric, but simply made. He wore no ring or ornaments, and his square-cut black mane was confined merely by a cloth-of-silver band about his head.

  Now he laid down the golden stylus with which he had been laboriously scrawling on waxed papyrus, rested his chin on his fist, and fixed his smoldering blue eyes enviously on the man who stood before him. This person was occupied in his own affairs at the moment, for he was taking up the laces of his gold-chased armor, and abstractedly whistling – a rather unconventional performance, considering that he was in the presence of a king.

  “Prospero,” said the man at the table, “these matters of statecraft weary me as all the fighting I have done never did.”

  “All part of the game, Conan,” answered the dark-eyed Poitainian. “You are king – you must play the part.”

 
“I wish I might ride with you to Nemedia,” said Conan enviously. “It seems ages since I had a horse between my knees – but Publius says that affairs in the city require my presence. Curse him!

  “When I overthrew the old dynasty,” he continued, speaking with the easy familiarity which existed only between the Poitainian and himself, “it was easy enough, though it seemed bitter hard at the time. Looking back now over the wild path I followed, all those days of toil, intrigue, slaughter and tribulation seem like a dream.

  “I did not dream far enough, Prospero. When King Numedides lay dead at my feet and I tore the crown from his gory head and set it on my own, I had reached the ultimate border of my dreams. I had prepared myself to take the crown, not to hold it. In the old free days all I wanted was a sharp sword and a straight path to my enemies. Now no paths are straight and my sword is useless.

  “When I overthrew Numedides, then I was the Liberator – now they spit at my shadow. They have put a statue of that swine in the temple of Mitra, and people go and wail before it, hailing it as the holy effigy of a saintly monarch who was done to death by a red-handed barbarian. When I led her armies to victory as a mercenary, Aquilonia overlooked the fact that I was a foreigner, but now she can not forgive me.

  “Now in Mitra’s temple there come to burn incense to Numedides’ memory, men whom his hangmen maimed and blinded, men whose sons died in his dungeons, whose wives and daughters were dragged into his seraglio. The fickle fools!”

 

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