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The truth is dead, p.1
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       The Truth is Dead, p.1

           Marcus Sedgwick
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The Truth is Dead


  Introduction, by Marcus Sedgwick

  Jesus Wept, by Anthony McGowan

  The Burning Glass, by Marcus Sedgwick

  Vienna, 1912, by Mal Peet

  The Blue-Eyed Boy, by Linda Newbery

  Eclipsed, by Matt Whyman

  One Giant Leap, by Philip Ardagh

  The Y2K Bug, by Eleanor Updale

  At the Ball Game, by Frank Cottrell Boyce


  The truth is dead. Or, at least, after these short attacks upon it, lies seriously, perhaps fatally, wounded.

  What follows are eight examples of stories sometimes described as “counterfactual” – that is, they take an event in history and consider how things might have turned out if one or two factors has been just that little bit different. There is a long and noble tradition of playing around with the facts in this way: the “winners” in history – the guys with the biggest swords, the nastiest guns and often the worst sense of humour – have, after all, always indulged their imaginations to a degree. The history they tell is sometimes true, but only from a certain point of view.

  Collecting these tales has been a wonderful and enjoyable process, and as an author I can give them no higher compliment than to say that I wish I’d written every one of them myself. Including my own – which was actually written by the team of eager monkeys I keep locked in my cellar. (“No story? No banana!”)

  The great thing about this type of story is that it’s simply a lot of fun wondering, What if…? Now, obviously, this is only interesting if you know which episode in history has been tampered with. Some of the stories in this anthology relate to very well-known moments, others to those less well known. There are explanations along the way to fill in some gaps – but if you need telling that the moon didn’t explode in the 1980s, then maybe this isn’t the book for you…

  The stories appear in chronological order and span a couple of thousand years of human history. We start a good long time ago, in the desert with that most famous of carpenters: Jesus. Anthony McGowan’s story focuses on the period in Jesus’s life when he wandered through the desert for forty days and forty nights and was tested and tempted by the Devil.

  Our next story – my own – takes us to nineteenth-century Europe. It centres on Napoleon, the short and apparently rather stroppy French emperor who ruled most of the Continent for a decade or so, having made his name as a military commander in the years before and during the French Revolution. After a series of defeats, Napoleon was forced to abdicate and was sent to live in exile on the island of Elba. But, as you will see when you read my story, he never stopped scheming about ways to make his comeback…

  I can’t go into too much detail about our next two stories without giving the game away, but I will say that their choice of subject is very interesting and significant for subsequent history. The first of these, Mal Peet’s story, is set in pre-World War One Vienna. The Austrian capital was at that time an extraordinarily fertile place, both culturally and otherwise, full of people who were to have a major impact on the twentieth century. Mal has chosen to write about perhaps the most famous one of all…

  The second, Linda Newbery’s tale, takes us onto the battlefields of France in 1914, at the beginning of the First World War. It is difficult to comprehend the number of men killed in the four-year conflict – an estimated eight million died and millions more were injured. Linda gives an insight into that bloody war and tells how the fate of one soldier was to change the course of history.

  Next up is Philip Ardagh. His tale brings us ever closer to the real fascination of the counterfactual story as we discover how the history we take for granted could so easily have turned in a different direction. Taking inspiration from a genuine historical document – one that was written but, in the course of events, never used – Philip has chosen to retell the events of the 1969 moon landing.

  The moon is also the subject of Matt Whyman’s story – although it has a very different role to play here, as you will see. An embittered stand-off between the United States of America and the Communist Soviet Union over the development of nuclear weapons, part of what was known as the cold war, had dominated global politics since 1945. By the 1980s there was a very real fear that the conflict would escalate into a nuclear Armageddon. If war did break out, the British would have only a four-minute warning – the estimated time it would take for a Russian missile to reach the UK – before the world ended.

  As the close of the twentieth century approached, global paranoia turned in a different direction: what would happen to the world’s computers when the clock struck midnight on 31 December 1999? Eleanor Updale draws on those fears in her contribution. Stories like this show just how easily the foundations of our society could slip away.

  And for our final tale what could be more appropriate than a good bleak end-of-the world conspiracy theory? (And, heaven help any future historians if this mischievous book is the only record of the last two thousand years to survive that end!) Frank Cottrell Boyce’s story exploits this idea with his tale about the Aztecs. Suppose the Europeans had not decimated the Aztec civilization back in the sixteenth century, but rather that those Aztecs had conquered Europe. And suppose still further that their first conquest had been the village of Glasgow…

  The only other thing you need to know is that according to some interpretations of Aztec mythology, the world is due to end in 2012. (On 21 December, to be precise, in case you want to set a reminder on your phone.)

  I hope you enjoy reading these stories as much as I enjoyed collecting them.

  Marcus Sedgwick


  Anthony McGowan

  According to the Gospels of Matthew, Mark and Luke in the New Testament, Jesus wandered in the desert for forty days and forty nights, during which time he was tempted by the Devil…

  That sandal was really bugging Jesus. Part of him knew it was insane to get annoyed by a mere sandal, given the fact he was alone in the wilderness, with nothing to eat but locusts – not the juicy ones, mind, but dry desert locusts; he’d have got more goodness out of that blasted sandal – and nothing to drink but dew, lapped up off the bare rock where it formed in the morning.

  And then there was that whole heavy thing about what he was supposed to be doing with the rest of his life. Going up to people and telling them to throw down their nets or whatever and leave their families and follow him, because he – and this was the part that really made him cringe – HE WAS THE SON OF GOD. What sort of job was that?

  And beyond that, he knew there was something much, much worse. A time of necessary pain and death. He could have looked into the future more carefully and truly seen what was coming, but he denied himself that knowledge. It was cheating.

  So perhaps that’s why he was obsessing over the sandal. Because all the other things he could think about were way more depressing than a broken strap and a sole that flapped like a loose sail in a storm on the Sea of Galilee.

  Jesus poked at the strap. There was probably a special tool for fixing those things. A sandal spangler, or strap thribber, something like that. His father would have known. His father would have fixed the cursed object in five seconds flat. He’d have held it up to his eye, turned it round, figured out exactly what had to be done, and got those strong brown fingers of his working. Joseph had been good with stuff. Jesus the klutz, on the other hand, was always whacking his thumb with the hammer, or accidentally nailing his hand to a plank in the workshop.

  A tear spilled from his eye, rolled down his nose and plopped into the sand at his feet as he thought about the old man, dying, worn out before his time.

  And then a faint yet oddly penetrating voice reached Jesus through his thoughts.

  “You, hey, wait.”

  It was the first human voice he’d heard in all the forty days and forty nights of his desert fast.

  He turned and gazed back down the rock-strewn slope. Squinting into the sun he saw a figure scrambling towards him. Sweat stung his eyes, and Jesus drew the dirty sleeve of his garment across his face. He thought about his mother, who had made the robe from a single piece of soft cloth, its seams so cunningly wrought as to be almost invisible.

  “Hotter than hell here.”

  The voice again. The man still toiled towards him. Even at this distance there was something bizarre about his appearance. His clothes were strange, following his contours in obscene dark unflowing detail. A Roman fashion? Or something from the East? Jesus blinked, and somehow – no doubt a trick played by fatigue, hunger, the relentless sun – the figure was there before him.

  And what had appeared strange at a distance, now became bizarre, and frightening. And it wasn’t just the dark suit, or even the shining black patent leather shoes, or the unnatural white of the shirt, or the shimmering iridescent blue of the tie. For the man had no eyes. Or rather, where his eyes should have been were two mirrors fastened with a metal frame to the man’s face.

  And in those mirrors Jesus saw himself. Saw the bones in his face where the flesh had shrunk, saw his own eyes deep in his skull, saw the hair filthy and matted. Saw, or thought he saw, a circle of thorns around his head and lines of blood like red tears.

  “For a guy with a broken sandal, that’s some pace you set there. And while we’re on the subject, why don’t you let me get that for you?”

  And on the feet of Jesus there were no longer the tattered worn sandals, but a soft enclosing mesh of some unknown white material, and an undulating sole that held his foot as gently as a cloud.

  Jesus closed his eyes, knowing that in his delirium the time of temptation had come. He kicked off the outlandish shoes and sent them skittering away down the slope, where they turned to stones.

  “Nike no good? You want Puma? Adidas?”

  Jesus ignored him. In bare feet now, he continued to walk up the mountain, relieved, almost, that it had begun.

  “OK, so you got me,” said the man, his short legs scuttling to keep up with the steady tread of Jesus. “No one ever said you weren’t smart. Look, it’s too hot for all this tearing about on mountains. It ain’t like we’re a couple of kids. Let’s sit down and talk about it in a civilized way. You know I’ve got to do this, so we may as well get it over with as soon and as painlessly as possible. Just give me ten minutes to hit you with my spiel, then you can tell me to get stuffed and we can get on with the rest of our … well, with the other things we have to do. You’re a busy guy; I’m a busy guy. Busy busy busy. The stuff I’ve got on, you wouldn’t believe. War, crime, murder – one damn thing after another.”

  And Jesus felt suddenly the great sadness of everything, like the weight of death on his shoulders, and he wanted more than anything to sit and rest.

  “Look, here’s good,” said the man, showing with his hand a flat rock. He pulled a red spotted handkerchief from his sleeve and dusted the rock. Then he sat and patted the space beside him, and Jesus sat also.

  “Heck of a view,” the man said. “You can see clear to…” He waved vaguely, and Jesus saw his nails, perfect and clean and sharp. “Well, over there.”

  The sun was lower in the sky and the desert was burning red. Shadows like long knives crawled over the land.

  Then Jesus noticed that the bare rock on which he had sat was now black leather. He sank deeply into the softness. He tried to struggle up, but his weariness was too great, and the delicious enveloping comfort too welcoming. He thought that no one, not even Herod in his palace or Caesar in Rome, had ever known a seat like this.

  “That’s more like it,” the man said. “OK, look, like with any deal, any contract, there’s two sides to this. There’s what I have to offer, and what I want in return. I’m guessing there’s no point in me dangling all the usual stuff before you: the riches, the power, the kingdoms? But they’re on the table if you want them. I’m not saying you should take them for the kicks you’ll get, but, well, you know a guy like you with real power could do a lot of good. I mean, who would you rather have in charge of an empire, you or Caligula? Or, thinking ahead a little, my boys Genghis, Tamburlaine and Adolf? Irresponsible not to have a go, when you think about it. Like they say, all that’s necessary for the triumph of evil is that good men do nothing, and you’re just sitting there kinda doing nothing, bud. Well…?

  “No, fine, didn’t think you’d bite on that one. Temporal power not your thing. I get it. Render unto Caesar that which is Caesar’s, blah blah blah. So, maybe a bit of the other. Man, you should see the babes I could fix you up with. Built like goddesses. Hey, some of them are goddesses! And I don’t just mean the chicks around now; I’m talking about every beauty that has ever lived or will ever live.

  “No? Not girls. Boys, maybe? OK, keep your hair on. Don’t get your knickers in a twist; I was just asking. Live and let live, I say. Still nyet? Well, that’s what I reckoned. But you know how it is. I had to ask. If I didn’t follow the script, there’d be hell to pay.”

  Through all this Jesus had remained impassive. Resisting temptation was his job, just as the role of the Father of Lies was to tempt.

  “But that’s not all I’ve got here,” the man continued. “And we’re going multimedia with this one.”

  He drew a rectangle with his finger in the air, and where he drew, a dark shape appeared, like a window into emptiness.

  “I want you to watch this. Because the thing is, I know you’re a good guy. Hey, one of the best. No, the best. Your heart’s in the right place. No arguments there. You want things to work out well. You want the little people to be OK. I’ve read the book. Love thy neighbour, turn the other cheek, blessed are the cheesemakers, all that stuff. Who’s gonna argue with that? If you were thinking of starting up a religion, then that’s exactly the sort of material you’d want in there. But, well, the best-laid plans of mice and men, and… No, look, let’s just watch the movie. A picture’s worth a thousand words. Let me wind this on to the right place … yeah, here we go.”

  Images appeared on the floating screen. There was music. There were voices. To Jesus it was all meaningless. Except that he could make out scenes of horror. Blood. The only meaning was blood. He closed his eyes.

  “Oh, crap, I should have known you’d be a bit freaked by the technology. So why don’t I just talk you through what’s happening here? You know, like the extras on a DVD, when the director gives you his commentary. Except you don’t know. Anyway, with what I’m saying, and what you can see, you’ll get it. Get it? Cool.”

  Jesus opened his eyes. The sun was below the horizon and the yellows and reds of the desert were turning grey and blue. It was a beautiful time. Cooler now than the terrible heat of the day, but warmer than the wretched cold of the desert night. He had tried to light fires, but that was not his skill, and so he had shivered and moaned like a fanatic through the cold black hours.

  “Right, here we go. Your people, the people you pick, good men mostly. Except Ju— Well, let’s not get ahead of ourselves. But things start going pear-shaped pretty soon after you quit the scene. First your guys go and upset the Romans – and believe me, that’s never a good idea. Hang on, let me…”

  He fished down the side of the leather sofa until he hit on the remote control, but not before he’d also found – and discarded in frustration – a number of coins, a box of matches, a hairbrush and a fluff-covered object that might once have been a gummy bear.

  “Right, let’s fast-forward until … here you go.”

  The screen showed a Roman amphitheatre. A family – a mother and a father, a boy and a girl – kneeling in the sand. A lioness, hungry, wary, circled them. The parents prayed. The children hid their faces in the folds of their father’s garment. The lioness made her lunge, and carried away the small girl by the throa

  “Let’s pause there, shall we? There’s lots more of that sort of thing – thousands of these guys getting chomped or speared or burnt. And I know exactly what you’re gonna say. This is the Romans’ doing. Can’t blame the victims, can you? But you see, the thing is, these people – the men, the women, the little ones – they’re only there because of good old Jesus H. Christ. Now, I don’t know about you, but that’s not something I’d like on my conscience. I mean, just how many kids being eaten like that would it take for this whole enterprise you’re planning to start looking, well, counter-productive, eh?

  “But let’s move on. Because, you see, it isn’t long before your guys start dishing it out as well as taking it. In fact, they pretty soon begin to dish out a lot more than they take. Dish it out in spades. I’m giving you one case here, to begin with. Check out this lady. Hypatia, they call her.”

  The screen showed a serene woman reading from a papyrus scroll.

  “This is one clever lady, the most important philosopher of her time. Lives in a town called Alexandria, just when the Christians – that’s what your followers start calling themselves – are taking over as top dog. But she still has a soft spot for the old ways: Zeus, Athena, Apollo, that crowd. So along come a rabble of monks and zealots and fanatics and they do this…”

  The image switched to show a mob attacking Hypatia, their faces contorted with rage and hatred. They tore her from her carriage, and as she pleaded for her life they sliced away her flesh with oyster shells, and then, her lips still moving, they burned what was left.

  “Tut, and I say again, tut. And all because she liked to offer up a little incense to the wrong gods. But things really heat up from here. Let me zip through this.”

  And there were more scenes of horror and persecution and war, each more terrible than the last. Christian armies converted pagans by the sword. Crusaders in clanking armour pillaged, raped and torched their way through the Jerusalem they had come to redeem. The great cities of Muslim Spain were left desolate. Everywhere: blood, fire and the burnt-out death of fire, and the bodies of children, and the cries of carrion birds circling.

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