The laughing corpse, p.1
The Laughing Corpse, p.1Part #2 of Anita Blake, Vampire Hunter series by Laurell K. Hamilton
This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.
The Laughing Corpse
An Ace Book / published by arrangement with the author
All rights reserved.
Copyright (c) 1994 by Laurell K. Hamilton This book may not be reproduced in whole or part, by mimeograph or any other means, without permission. Making or distributing electronic copies of this book constitutes copyright infringement and could subject the infringer to criminal and civil liability.
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Electronic edition: February, 2004
Anita Blake, Vampire Hunter books by Laurell K. Hamilton
THE LAUGHING CORPSE
CIRCUS OF THE DAMNED
THE LUNATIC CAFE
THE KILLING DANCE
NARCISSUS IN CHAINS
To everyone who bought this book years ago, because if you had not, all those who recently found it would never have had the chance
AFTERWORD by Laurell K. Hamilton
To J, who became my friend with this book, years before it would ever occur to us to date. Ginjer Buchanan, our editor, who believed in Anita and me from the start. Marcia Woolsey, who read the first Anita short story and pronounced it "good." (Marcia, please contact my publisher--I would love to talk to you!) Janni Lee Simner, Marella Sands, and Robert K. Sheaf, who made sure this book stood alone. Deborah Millitello, for holding my hand when I needed it. M. C. Sumner, for being a friend. Alternate Historians forever. Thanks to everyone who attended my readings at Windycon and Capricorn.
HAROLD GAYNOR'S HOUSE sat in the middle of intense green lawn and the graceful sweep of trees. The house gleamed in the hot August sunshine. Bert Vaughn, my boss, parked the car on the crushed gravel of the driveway. The gravel was so white, it looked like handpicked rock salt. Somewhere out of sight the soft whir of sprinklers pattered. The grass was absolutely perfect in the middle of one of the worst droughts Missouri has had in over twenty years. Oh, well. I wasn't here to talk with Mr. Gaynor about water management. I was here to talk about raising the dead.
Not resurrection. I'm not that good. I mean zombies. The shambling dead. Rotting corpses. Night of the living dead. That kind of zombie. Though certainly less dramatic than Hollywood would ever put up on the screen. I am an animator. It's a job, that's all, like selling.
Animating had only been a licensed business for about five years. Before that it had just been an embarrassing curse, a religious experience, or a tourist attraction. It still is in parts of New Orleans, but here in St. Louis it's a business. A profitable one, thanks in large part to my boss. He's a rascal, a scalawag, a rogue, but damn if he doesn't know how to make money. It's a good trait for a business manager.
Bert was six-four, a broad-shouldered, ex-college football player with the beginnings of a beer gut. The dark blue suit he wore was tailored so that the gut didn't show. For eight hundred dollars the suit should have hidden a herd of elephants. His white-blond hair was trimmed in a crew cut, back in style after all these years. A boater's tan made his pale hair and eyes dramatic with contrast.
Bert adjusted his blue and red striped tie, mopping a bead of sweat off his tanned forehead. "I heard on the news there's a movement there to use zombies in pesticide-contaminated fields. It would save lives."
"Zombies rot, Bert, there's no way to prevent that, and they don't stay smart enough long enough to be used as field labor."
"It was just a thought. The dead have no rights under law, Anita."
It was wrong to raise the dead so they could slave for us. It was just wrong, but no one listens to me. The government finally had to get into the act. There was a nationwide committee being formed of animators and other experts. We were supposed to look into the working conditions of local zombies.
Working conditions. They didn't understand. You can't give a corpse nice working conditions. They don't appreciate it anyway. Zombies may walk, even talk, but they are very, very dead.
Bert smiled indulgently at me. I fought an urge to pop him one right in his smug face. "I know you and Charles are working on that committee," Bert said. "Going around to all the businesses and checking up on the zombies. It makes great press for Animators, Inc."
"I don't do it for good press," I said.
"I know. You believe in your little cause."
"You're a condescending bastard," I said, smiling sweetly up at him.
He grinned at me. "I know."
I just shook my head; with Bert you can't really win an insult match. He doesn't give a damn what I think of him, as long as I work for him.
My navy blue suit jacket was supposed to be summer weight but it was a lie. Sweat trickled down my spine as soon as I stepped out of the car.
Bert turned to me, small eyes narrowing. His eyes lend themselves to suspicious squints. "You're still wearing your gun," he said.
"The jacket hides it, Bert. Mr. Gaynor will never know." Sweat started collecting under the straps of my shoulder holster. I could feel the silk blouse beginning to melt. I try not to wear silk and a shoulder rig at the same time. The silk starts to look indented, wrinkling where the straps cross. The gun was a Browning Hi-Power 9mm, and I liked having it near at hand.
"Come on, Anita. I don't think you'll need a gun in the middle of the afternoon, while visiting a client." Bert's voice held that patronizing tone that people use on children. Now, little girl, you know this is for your own good.
Bert didn't care about my well-being. He just didn't want to spook Gaynor. The man had already given us a check for five thousand dollars. And that was just to drive out and talk to him. The implication was that there was more money if we agreed to take his case. A lot of money. Bert was all excited about that part. I was skeptical. After all, Bert didn't have to raise the corpse. I did.
The trouble was, Bert was probably right. I wouldn't need the gun in broad daylight. Probably. "All right, open the trunk."
Bert opened the trunk of his nearly brand-new Volvo. I was already taking off the jacket. He stoo
I folded the holster straps around the gun and laid it in the clean trunk. It smelled like new car, plastic and faintly unreal. Bert shut the trunk, and I stared at it as if I could still see the gun.
"Are you coming?" he asked.
"Yeah," I said. I didn't like leaving my gun behind, for any reason. Was that a bad sign? Bert motioned for me to come on.
I did, walking carefully over the gravel in my high-heeled black pumps. Women may get to wear lots of pretty colors, but men get the comfortable shoes.
Bert was staring at the door, smile already set on his face. It was his best professional smile, dripping with sincerity. His pale grey eyes sparkled with good cheer. It was a mask. He could put it on and off like a light switch. He'd wear the same smile if you confessed to killing your own mother. As long as you wanted to pay to have her raised from the dead.
The door opened, and I knew Bert had been wrong about me not needing a gun. The man was maybe five-eight, but the orange polo shirt he wore strained over his chest. The black sport jacket seemed too small, as if when he moved the seams would split, like an insect's skin that had been outgrown. Black acid-washed jeans showed off a small waist, so he looked like someone had pinched him in the middle while the clay was still wet. His hair was very blond. He looked at us silently. His eyes were empty, dead as a doll's. I caught a glimpse of shoulder holster under the sport jacket and resisted an urge to kick Bert in the shins.
Either my boss didn't notice the gun or he ignored it. "Hello, I'm Bert Vaughn and this is my associate, Anita Blake. I believe Mr. Gaynor is expecting us." Bert smiled at him charmingly.
The bodyguard--what else could he be--moved away from the door. Bert took that for an invitation and walked inside. I followed, not at all sure I wanted to. Harold Gaynor was a very rich man. Maybe he needed a bodyguard. Maybe people had threatened him. Or maybe he was one of those men who have enough money to keep hired muscle around whether they need it or not.
Or maybe something else was going on. Something that needed guns and muscle, and men with dead, emotionless eyes. Not a cheery thought.
The air-conditioning was on too high and the sweat gelled instantly. We followed the bodyguard down a long central hall that was paneled in dark, expensive-looking wood. The hall runner looked oriental and was probably handmade.
Heavy wooden doors were set in the right-hand wall. The bodyguard opened the doors and again stood to one side while we walked through. The room was a library, but I was betting no one ever read any of the books. The place was ceiling to floor in dark wood bookcases. There was even a second level of books and shelves reached by an elegant sweep of narrow staircase. All the books were hardcover, all the same size, colors muted and collected together like a collage. The furniture was, of course, red leather with brass buttons worked into it.
A man sat near the far wall. He smiled when we came in. He was a large man with a pleasant round face, double-chinned. He was sitting in an electric wheelchair, with a small plaid blanket over his lap, hiding his legs.
"Mr. Vaughn and Ms. Blake, how nice of you to drive out." His voice went with his face, pleasant, damn near amiable.
A slender black man sat in one of the leather chairs. He was over six feet tall, exactly how much over was hard to tell. He was slumped down, long legs stretched out in front of him with the ankles crossed. His legs were taller than I was. His brown eyes watched me as if he were trying to memorize me and would be graded later.
The blond bodyguard went to lean against the bookcases. He couldn't quite cross his arms, jacket too tight, muscles too big. You really shouldn't lean against a wall and try to look tough unless you can cross your arms. Ruins the effect.
Mr. Gaynor said, "You've met Tommy." He motioned towards the sitting bodyguard. "That's Bruno."
"Is that your real name or just a nickname?" I asked, looking straight into Bruno's eyes.
He shifted just a little in his chair. "Real name."
"Why?" he asked.
"I've just never met a bodyguard who was really named Bruno."
"Is that supposed to be funny?" he asked.
I shook my head. Bruno. He never had a chance. It was like naming a girl Venus. All Brunos had to be bodyguards. It was a rule. Maybe a cop? Naw, it was a bad guy's name. I smiled.
Bruno sat up in his chair, one smooth, muscular motion. He wasn't wearing a gun that I could see, but there was a presence to him. Dangerous, it said, watch out.
Guess I shouldn't have smiled.
Bert interrupted, "Anita, please. I do apologize, Mr. Gaynor . . . Mr. Bruno. Ms. Blake has a rather peculiar sense of humor."
"Don't apologize for me, Bert. I don't like it." I don't know what he was so sore about anyway. I hadn't said the really insulting stuff out loud.
"Now, now," Mr. Gaynor said. "No hard feelings. Right, Bruno?"
Bruno shook his head and frowned at me, not angry, sort of perplexed.
Bert flashed me an angry look, then turned smiling to the man in the wheelchair. "Now, Mr. Gaynor, I know you must be a busy man. So, exactly how old is the zombie you want raised?"
"A man who gets right down to business. I like that." Gaynor hesitated, staring at the door. A woman entered.
She was tall, leggy, blond, with cornflower-blue eyes. The dress, if it was a dress, was rose-colored and silky. It clung to her body the way it was supposed to, hiding what decency demanded, but leaving very little to the imagination. Long pale legs were stuffed into pink spike heels, no hose. She stalked across the carpet, and every man in the room watched her. And she knew it.
She threw back her head and laughed, but no sound came out. Her face brightened, her lips moved, eyes sparkled, but in absolute silence, like someone had turned the sound off. She leaned one hip against Harold Gaynor, one hand on his shoulder. He encircled her waist, and the movement raised the already short dress another inch.
Could she sit down in the dress without flashing the room? Naw.
"This is Cicely," he said. She smiled brilliantly at Bert, that little soundless laugh making her eyes sparkle. She looked at me and her eyes faltered, the smile slipped. For a second uncertainty filled her eyes. Gaynor patted her hip. The smile flamed back into place. She nodded graciously to both of us.
"I want you to raise a two-hundred-and-eighty-three-year-old corpse."
I just stared at him and wondered if he understood what he was asking.
"Well," Bert said, "that is nearly three hundred years old. Very old to raise as a zombie. Most animators couldn't do it at all."
"I am aware of that," Gaynor said. "That is why I asked for Ms. Blake. She can do it."
Bert glanced at me. I had never raised anything that old. "Anita?"
"I could do it," I said.
He smiled back at Gaynor, pleased.
"But I won't do it."
Bert turned slowly back to me, smile gone.
Gaynor was still smiling. The bodyguards were immobile. Cicely looked pleasantly at me, eyes blank of any meaning.
"A million dollars, Ms. Blake," Gaynor said in his soft pleasant voice.
I saw Bert swallow. His hands convulsed on the chair arms. Bert's idea of sex was money. He probably had the biggest hard-on of his life.
"Do you understand what you're asking, Mr. Gaynor?" I asked.
He nodded. "I will supply the white goat." His voice was still pleasant as he said it, still smiling. Only his eyes had gone dark; eager, anticipatory.
I stood up. "Come on, Bert, it's time to leave."
Bert grabbed my arm. "Anita, sit down, please."
I stared at his hand until he let go of me. His charming mask slipped, showing me the anger underneath, then he was all pleasant business again. "Anita. It is a generous payment."
"The white goat is a euphemism, Bert. It means a human sacrifice."
"The older the zombie the bigger the death needed to raise it. After a few centuries the only death 'big enough' is a human sacrifice," I said.
Gaynor wasn't smiling anymore. He was watching me out of dark eyes. Cicely was still looking pleasant, almost smiling. Was there anyone home behind those so blue eyes? "Do you really want to talk about murder in front of Cicely?" I asked.
Gaynor beamed at me, always a bad sign. "She can't understand a word we say. Cicely's deaf."
I stared at him, and he nodded. She looked at me with pleasant eyes. We were talking of human sacrifice and she didn't even know it. If she could read lips, she was hiding it very well. I guess even the handicapped, um, physically challenged, can fall into bad company, but it seemed wrong.
"I hate a woman who talks constantly," Gaynor said.
I shook my head. "All the money in the world wouldn't be enough to get me to work for you."
"Couldn't you just kill lots of animals, instead of just one?" Bert asked. Bert is a very good business manager. He knows shit about raising the dead.
I stared down at him. "No."
Bert sat very still in his chair. The prospect of losing a million dollars must have been real physical pain for him, but he hid it. Mr. Corporate Negotiator. "There has to be a way to work this out," he said. His voice was calm. A professional smile curled his lips. He was still trying to do business. My boss did not understand what was happening.
"Do you know of another animator that could raise a zombie this old?" Gaynor asked.
Bert glanced up at me, then down at the floor, then at Gaynor. The professional smile had faded. He understood now that it was murder we were talking about. Would that make a difference?
I had always wondered where Bert drew the line. I was about to find out. The fact that I didn't know whether he would refuse the contract told you a lot about my boss. "No," Bert said softly, "no, I guess I can't help you either, Mr. Gaynor."
"If it's the money, Ms. Blake, I can raise the offer."
A tremor ran through Bert's shoulders. Poor Bert, but he hid it well. Brownie point for him.
"I'm not an assassin, Gaynor," I said.
"That ain't what I heard," Tommy of the blond hair said.
I glanced at him. His eyes were still as empty as a doll's. "I don't kill people for money."
The Laughing Corpse by Laurell K. Hamilton / Fantasy / Mystery & Detective / Romance & Love have rating 3.8 out of 5 / Based on34 votes