The Go-Between

      L. P. Hartley
The Go-Between

“The past is a foreign country: they do things differently there.”

Summering with a fellow schoolboy on a great English estate, Leo, the hero of L. P. Hartley’s finest novel, encounters a world of unimagined luxury. But when his friend’s beautiful older sister enlists him as the unwitting messenger in her illicit love affair, the aftershocks will be felt for years. The inspiration for the brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan Bates, The Go-Between is a masterpiece—a richly layered, spellbinding story about past and present, naïveté and knowledge, and the mysteries of the human heart. This volume includes, for the first time ever in North America, Hartley’s own introduction to the novel.

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    The Travelling Grave and Other Stories

      L. P. Hartley
The Travelling Grave and Other Stories

The Travelling Grave and Other Stories contains the following tales:

"A Visitor from Down Under"
"Podolo"
"Three, or Four, for Dinner"
"The Travelling Grave"
"Feet Foremost"
"The Cotillion"
"A Change of Ownership"
"The Thought"
"Conrad and the Dragon"
"The Island"
"Night Fears"
"The Killing Bottle"

Most of the stories had appeared previously in various British editions. this was the first US appearance of most of these stories.

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    Eustace and Hilda

      L. P. Hartley
Eustace and Hilda

The three books gathered together as Eustace and Hilda explore a brother and sister’s lifelong relationship. Hilda, the older child, is both self-sacrificing and domineering, as puritanical as she is gorgeous; Eustace is a gentle, dreamy, pleasure-loving boy: the two siblings could hardly be more different, but they are also deeply devoted. And yet as Eustace and Hilda grow up and seek to go their separate ways in a world of power and position, money and love, their relationship is marked by increasing pain.

L. P. Hartley’s much-loved novel, the magnum opus of one of twentieth-century England’s best writers, is a complex and spellbinding work: a comedy of upper-class manners; a study in the subtlest nuances of feeling; a poignant reckoning with the ironies of character and fate. Above all, it is about two people who cannot live together or apart, about the ties that bind—and break.

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