Never Let Me Go

      Kazuo Ishiguro
Never Let Me Go

From the Booker Prize-winning author of The Remains of the Day comes a devastating new novel of innocence, knowledge, and loss. As children Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were.

Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day.

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    The Remains of the Day

      Kazuo Ishiguro
The Remains of the Day

The Remains of the Day is a profoundly compelling portrait of the perfect English butler and of his fading, insular world postwar England. At the end of his three decades of service at Darlington Hall, Stevens embarks on a country drive, during which he looks back over his career to reassure himself that he has served humanity by serving “a great gentleman.” But lurking in his memory are doubts about the true nature of Lord Darlington’s “greatness” and graver doubts about his own faith in the man he served. 

A tragic, spiritual portrait of a perfect English butler and his reaction to his fading insular world in post-war England. A wonderful, wonderful book.

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    The Unconsoled

      Kazuo Ishiguro
The Unconsoled

From the universally acclaimed author of The Remains of the Day comes a mesmerizing novel of completely unexpected mood and matter—a seamless, fictional universe, both wholly unrecognizable and familiar. When the public, day-to-day reality of a renowned pianist takes on a life of its own, he finds himself traversing landscapes that are by turns eerie, comical, and strangely malleable.

From the Hardcover edition.

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    My Twentieth Century Evening and Other Small Breakthroughs: The Nobel Lecture

      Kazuo Ishiguro
My Twentieth Century Evening and Other Small Breakthroughs: The Nobel Lecture

Delivered in Stockholm on 7 December 2017, My Twentieth Century Evening and Other Small Breakthroughs is the lecture of the Nobel Laureate in Literature, Kazuo Ishiguro. A generous and hugely insightful biographical sketch, it explores his relationship with Japan, reflections on his own novels and an insight into some of his inspirations, from the worlds of writing, music and film. Ending with a rallying call for the ongoing importance of literature in the world, it is a characteristically thoughtful and moving piece.

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    The Buried Giant

      Kazuo Ishiguro
The Buried Giant

From the author of Never Let Me Go and the Booker Prize-winning *The Remains of the Day*

The Romans have long since departed and Britain is steadily declining into ruin. But, at least, the wars that once ravaged the country have ceased. Axl and Beatrice, a couple of elderly Britons, decide that now is the time, finally, for them to set off across this troubled land of mist and rain to find the son they have not seen for years, the son they can scarcely remember. They know they will face many hazards—some strange and otherworldly—but they cannot foresee how their journey will reveal to them the dark and forgotten corners of their love for each other. Nor can they foresee that they will be joined on their journey by a Saxon warrior, his orphan charge, and a knight—each of them, like Axl and Beatrice, lost in some way to his own past, but drawn inexorably toward the comfort, and the burden, of the fullness of a life’s memories.

Sometimes savage, sometimes mysterious, always intensely moving, Kazuo Ishiguro’s first novel in a decade tells a luminous story about the act of forgetting and the power of memory, a resonant tale of love, vengeance, and war.

From the Hardcover edition.

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    Nocturnes: Five Stories of Music and Nightfall

      Kazuo Ishiguro
Nocturnes: Five Stories of Music and Nightfall

One of the most celebrated writers of our time gives us his first cycle of short fiction: five brilliantly etched, interconnected stories in which music is a vivid and essential character.

A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . .

Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp.

An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

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    An Artist of the Floating World

      Kazuo Ishiguro
An Artist of the Floating World

It is 1948. Japan is rebuilding her cities after the calamity of World War II, her people putting defeat behind them and looking to the future. The celebrated painter Masuji Ono fills his days attending to his garden, house repairs, his two grown daughters and his grandson, and his evenings drinking with old associates in quiet lantern-lit bars.

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    A Pale View of Hills

      Kazuo Ishiguro
A Pale View of Hills

In his highly acclaimed debut, A Pale View of Hills, Kazuo Ishiguro tells the story of Etsuko, a Japanese woman now living alone in England, dwelling on the recent suicide of her daughter. Retreating into the past, she finds herself reliving one particular hot summer in Nagasaki, when she and her friends struggled to rebuild their lives after the war. But then as she recalls her strange friendship with Sachiko - a wealthy woman reduced to vagrancy - the memories take on a disturbing cast.

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    When We Were Orphans

      Kazuo Ishiguro
When We Were Orphans

British writer Kazuo Ishiguro won the 1989 Booker Prize for The Remains of the Day, which sold over a million copies in English alone and was the basis of a film starring Anthony Hopkins. Now When We Were Orphans, his extraordinary fifth novel, has been called “his fullest achievement yet” (The New York Times Book Review) and placed him again on the Booker shortlist. A complex, intelligent, subtle and restrained psychological novel built along the lines of a detective story, it confirms Ishiguro as one of the most important writers in English today. London’s Sunday Times said: “You seldom read a novel that so convinces you it is extending the possibilities of fiction.”

The novel takes us to Shanghai in the late 1930s, with English detective Christopher Banks bent on solving the mystery that has plagued him all his life: the disappearance of his parents when he was eight. By his own account, he is now a celebrated gentleman sleuth, the toast of London society. But as we learn, he is also a solitary figure, his career built on an obsession. Believing his parents may still be held captive, he longs to put right as an adult what he was powerless to change as a child, when he played at being Sherlock Holmes — before both his parents vanished and he was sent to England to be raised by an aunt.

Banks’ father was involved in the importation of opium, and solving the mystery means finding that his boyhood was not the innocent, enchanted world he has cherished in memory. The Shanghai he revisits is in the throes of the Sino—Japanese war, an apocalyptic nightmare; he sees the horror of the slums surrounding the international community in “a dreamscape worthy of Borges” (The Independent). “We think that if we can only put something right that went a bit awry, then our lives would be healed and the world would be healed,” says Ishiguro of the illusion under which his hero suffers.

It becomes increasingly clear that Banks is not to be trusted as a narrator. The stiff, elegant voice grows more hysterical, his vision more feverish, as he comes closer to the truth. Like Ryder of The Unconsoled, Ishiguro’s previous novel, Banks is trapped in his boyhood fantasy, and he follows his obsession at the cost of personal happiness. Other characters appear as projections of his fears and desires. All Ishiguro’s novels concern themselves with the past, the consequences of denying it and the unreliability of memory.

It is from Ishiguro’s own family history that the novel takes its setting. Though his family is Japanese, Ishiguro’s father was born in Shanghai’s international community in 1920; his grandfather was sent there to set up a Chinese branch of Toyota, then a textile company. “My father has old pictures of the first Mr. Toyota driving his Rolls-Royce down the Bund.” When the Japanese invaded in 1937, the fighting left the international commune a ghetto, and his family moved back to Nagasaki.

When We Were Orphans raises the bar for the literary mystery. Though more complex than much of Ishiguro’s earlier work, which has led to mixed reactions, it was published internationally (his work has been published in 28 languages) and was a New York Times bestseller.

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