Uprooted from their family home in the Dominican Republic, the four Garcia sisters - Carla, Sandra, Yolanda, and Sofia - arrive in New York City in 1960 to find a life far different from the genteel existence of maids, manicures, and extended family they left behind. What they have lost - and what they find - is revealed in the fifteen interconnected stories that make up this exquisite novel from one of the premier novelists of our time. Just as it is a feature of the immigrant experience to always look back, the novel begins with thirty-nine-year-old Yolanda's return to the island and moves magically backward in time to the final days before the exile that is to transform the sisters' lives. Along the way we witness their headlong plunge into the American mainstream. Although the girls try to distance themselves from their island life by ironing their hair, forgetting their Spanish, and meeting boys unchaperoned, they remain forever caught between the old world and the new. With bright humor and rare insight, Julia Alvarez vividly evokes the tensions and joys of belonging to two distinct cultures in a novel that is utterly authentic and full of irrepressible spirit.
Miguel Guzman isn't exactly looking forward to the summer now that his mother has agreed to let the Sword family—a father, his three daughters, and their dog—live with them while they decide whether or not to move to Vermont. Little does Miguel know his aunt has something up her sleeve that just may make this the best summer ever. With her usual flair for creativity and fun, Tía Lola decides to start a summer camp for Miguel, his little sister, and the three Sword girls, complete with magical swords, nighttime treasure hunts, campfires, barbecues, and an end-of-summer surprise!
The warm and funny third book in the Tía Lola Stories is sure to delight young readers and leave them looking forward to their own summer fun!
From the Hardcover edition.
Welcome to Tia Lola's bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois' grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn't as easy they had initially thought--especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who's behind the plot to make their B & B fail? And will Tía Lola's family and friends be able to plan her a surprise birthday party in her own B & B without her finding out?
The last book in the Tía Lola Stories
From the Hardcover edition.
In her most ambitious work since "In the Time of Butterflies," Julia Alvarez tells the story of a woman whose poetry inspired one Caribbean revolution and of her daughter whose dedication to teaching strengthened another. Camila Henriquez Urena is about to retire from her longtime job teaching Spanish at Vassar College. Only now as she sorts through family papers does she begin to know the woman behind the legend of her mother, the revered Salome Urena, who died when Camila was three.
In stark contrast to Salome, who became the Dominican Republic's national poet at the age of seventeen, Camila has spent most of her life trying not to offend anybody. Her mother dedicated her life to educating young women to give them voice in their turbulent new nation; Camila has spent her life quietly and anonymously teaching the Spanish pluperfect to upper-class American girls with no notion of revolution, no knowledge of Salome Urena.
Now, in 1960, Camila must choose a final destination for herself. Where will she spend the rest of her days? News of the revolution in Cuba mirrors her own internal upheaval. In the process of deciding her future, Camila uncovers the truth of her mother's tragic personal life and, finally, finds a place for her own passion and commitment.
Julia Alvarez has won a large and devoted audience by brilliantly illuminating the history of modern Caribbean America through the personal stories of its people. As a Latina, as a poet and novelist, and as a university professor, Julia Alvarez brings her own experience to this exquisite story.
MILLY KAUFMAN IS an ordinary American teenager living in Vermont—until she meets Pablo, a new student at her high school. His exotic accent, strange fashion sense, and intense interest in Milly force her to confront her identity as an adopted child from Pablo’s native country. As their relationship grows, Milly decides to undertake a courageous journey to her homeland and along the way discovers the story of her birth is intertwined with the story of a country recovering from a brutal history.
Beautifully written by reknowned author Julia Alvarez, Finding Miracles examines the emotional complexity of familial relationships and the miracles of everyday life.
The works of this award-winning poet and novelist are rich with the language and influences of two cultures: those of the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped her life. In these seventy-five autobiographical poems, Alvarez’s clear voice sings out in every line. Here, in the middle of her life, she looks back as a way of understanding and celebrating the woman she has become.
Set during the waning days of the Trujillo dictatorship in the Dominican Republic in 1960, this extraordinary novel tells the story of the Mirabal sisters, three young wives and mothers who are assassinated after visiting their jailed husbands.
From the author of How the Garcia Girls Lost Their Accents comes this tale of courage and sisterhood set in the Dominican Republic during the rise of the Trujillo dictatorship. A skillful blend of fact and fiction, In the Time of the Butterflies is inspired by the true story of the three Mirabal sisters who, in 1960, were murdered for their part in an underground plot to overthrow the government. Alvarez breathes life into these historical figures--known as "las mariposas," or "the butterflies," in the underground--as she imagines their teenage years, their gradual involvement with the revolution, and their terror as their dissentience is uncovered.
Alvarez's controlled writing perfectly captures the mounting tension as "the butterflies" near their horrific end. The novel begins with the recollections of Dede, the fourth and surviving sister, who fears abandoning her routines and her husband to join the movement. Alvarez also offers the perspectives of the other sisters: brave and outspoken Minerva, the family's political ringleader; pious Patria, who forsakes her faith to join her sisters after witnessing the atrocities of the tyranny; and the baby sister, sensitive Maria Teresa, who, in a series of diaries, chronicles her allegiance to Minerva and the physical and spiritual anguish of prison life.
In the Time of the Butterflies is an American Library Association Notable Book and a 1995 National Book Critics Circle Award nominee.
Latina novelist Alma Huebner is suffering from writer's block and is years past the completion date for yet another of her bestselling family sagas. Her husband, Richard, works for a humanitarian organization dedicated to the health and prosperity of developing countries and wants her help on an extended AIDS assignment in the Dominican Republic. But Alma begs off joining him: the publisher is breathing down her neck. She promises to work hard and follow him a bit later.
The truth is that Alma is seriously sidetracked by a story she has stumbled across. It's the story of a much earlier medical do-gooder, Spaniard Francisco Xavier Balmis, who in 1803 undertook to vaccinate the populations of Spain's American colonies against smallpox. To do this, he required live "carriers" of the vaccine.
Of greater interest to Alma is Isabel Sendales y Gómez, director of La Casa de Expósitos, who was asked to select twenty-two orphan boys to be the vaccine carriers. She agreed— with the stipulation that she would accompany the boys on the proposed two-year voyage. Her strength and courage inspire Alma, who finds herself becoming obsessed with the details of Isabel's adventures.
This resplendent novel-within-a-novel spins the disparate tales of two remarkable women, both of whom are swept along by machismo. In depicting their confrontation of the great scourges of their respective eras, Alvarez exposes the conflict between altruism and ambition.
Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her 12th birthday in 1960, most of her relatives have emigrated to the United States, her Tío Toni has disappeared without a trace, and the government’s secret police terrorize her remaining family because of their suspected opposition of el Trujillo’s dictatorship.
Using the strength and courage of her family, Anita must overcome her fears and fly to freedom, leaving all that she once knew behind.
From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl’s struggle to be free.
At last! A zesty, exuberant follow-up to the wildly popular How the Garcia Girls Lost Their Accents, full of Julia Alvarez's keen observations and tender affection for her characters.
The Garcia Girls are back, most notably Yolanda, or Yo, who has grown up to be a writer. In the process, she has managed to get kicked out of college, break more than a few hearts, have her own heart broken many times, return for extended visits to the Dominican Republic her family fled when she was a child, and marry three times. She has also infuriated her entire family by publishing the intimate details of their lives as fiction.
This brilliant novel is a full and true exploration of a woman's soul, a meditation on the writing life, and a lyrical account of the immigrant's search for identity and a place in the world. !Yo!'s bright colors, zesty dialogue, warm feeling, and genuine insight could only come from the palette of Julia Alvarez.
Description from Penguin Group.
"A delightfully entertaining story of family and culture from acclaimed author Julia Alvarez."
Moving to Vermont after his parents split, Miguel has plenty toworry about Tiiacute;a Lola, his quirky, "carismaaacute;tica," and maybe magical aunt makes his life even more unpredictable when she arrives from the Dominican Republic to help out his Mami. Like herstories for adults, Julia Alvarez's first middle-grade book sparkles with magic as it illuminates a child's experiences living in two cultures. "From the TradePaperback edition."
After their olive crop fails, Maria fears that her family will have to abandon their farm on the new island colony. Then, one night she dreams of a mysterious beautiful lady shrouded by trees with branches hung with hundreds of little suns. They are oranges like the ones Maria's parents once ate in their homeland, Valencia, Spain. That very day Maria and her family plant the seeds that soon yield a magnificent orange grove and save the farm. But who was the mysterious lady who appeared in her dream and will Maria ever find her again?
From the Hardcover edition.
In a story that travels beyond borders and between families, acclaimed Dominican novelist and poet Julia Alvarez reflects on the joys and burdens of love for her parents, for her husband, and for a young Haitian boy known as Piti. In this intimate true account of a promise kept, Alvarez takes us on a journey into experiences that challenge our way of thinking about history and how it can be reimagined when people from two countries traditional enemies and strangers become friends.
Tía Lola has been invited to teach Spanish at her niece and nephew’s elementary school. But Miguel wants nothing to do with the arrangement. He hasn’t had an easy time adjusting to his new school in Vermont and doesn’t like living so far away from Papi, who has a new girlfriend and an announcement to make. On the other hand, Miguel’s little sister, Juanita, can’t wait to introduce her colorfully dressed aunt with her migrating beauty mark to all her friends at school—that is, if she can stop getting distracted long enough to remember to do so. Before long, Tía Lola is organizing a Spanish treasure hunt and a Carnaval fiesta at school. Will Miguel be willing to join the fun? Will Juanita get her head out of the clouds and lead her classmates to victory in the treasure hunt?
Told with abundant humor and heart, Julia Alvarez’s new Tía Lola story is the long-awaited sequel to the beloved How Tía Lola Came to Visit Stay.
From the Hardcover edition.