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The man from beijing, p.1
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       The Man From Beijing, p.1

           Henning Mankell
 
The Man From Beijing


  Table of Contents

  Cover

  Copyright

  Also by Henning Mankell

  Contents

  The Man from Beijing

  PART 1: The Silence (2006)

  The Epitaph

  The Judge

  PART 2: The Railroad (1863)

  The Way to Canton

  The Feather and the Stone

  PART 3: The Red Ribbon (2006)

  The Rebels

  The Chinese Game

  PART 4: The Colonisers (2006)

  Bark Peeled Off by Elephants

  Chinatown, London

  Epilogue

  Author’s Note

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Epub ISBN: 9781409089438

  Version 1.0

  www.randomhouse.co.uk

  Published by Harvill Secker 2010

  2 4 6 8 10 9 7 5 3 1

  Copyright © Henning Mankell 2008 English translation copyright © Laurie Thompson 2010

  Henning Mankell has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

  First published with the title Kinesen in 2008

  by Leopard Förlag, Stockholm in arrangement with

  Leonhardt & Høier Literary Agency, Copenhagen

  First published in Great Britain in 2010 by

  HARVILL SECKER

  Random House

  20 Vauxhall Bridge Road

  London SW1V 2SA

  www.rbooks.co.uk

  Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm

  The Random House Group Limited Reg. No. 954009

  A CIP catalogue record for this book is available from the British Library

  ISBN 9781846552571 (hardback)

  ISBN 9781846552588 (trade paperback)

  The Random House Group Limited supports The Forest Stewardship Council (FSC), the leading

  international forest certification organisation. All our titles that are printed

  on Greenpeace approved FSC certified paper carry the FSC logo. Our paper

  procurement policy can be found at www.rbooks.co.uk/environment

  Printed and bound in Great Britain by Clays Ltd, St Ives plc

  Also by Henning Mankell

  Kurt Wallander Series

  FACELESS KILLERS

  THE DOGS OF RIGA THE WHITE LIONESS

  THE MAN WHO SMILED SIDETRACKED THE FIFTH WOMAN

  ONE STEP BEHIND FIREWALL

  BEFORE THE FROST

  THE PYRAMID

  Fiction

  THE RETURN OF THE DANCING MASTER

  CHRONICLER OF THE WINDS

  DEPTHS

  KENNEDY'S BRAIN

  THE EYE OF THE LEOPARD

  ITALIAN SHOES

  Non-fiction

  I DIE, BUT THE MEMORY LIVES ON

  Young Adult Fiction

  A BRIDGE TO THE STARS

  SHADOWS IN THE TWILIGHT

  WHEN THE SNOW FELL

  THE JOURNEY TO THE END OF THE WORLD Children’s Fiction

  THE CAT WHO LIKED RAIN

  Contents

  Part 1

  The Silence (2006)

  The Epitaph

  The Judge

  Part 2

  The Railroad (1863)

  The Way to Canton

  The Feather and the Stone

  Part 3

  The Red Ribbon (2006)

  The Rebels

  The Chinese Game

  Part 4

  The Colonisers (2006)

  Bark Peeled Off by Elephants

  Chinatown, London

  Epilogue

  Author’s Note

  PART 1

  The Silence (2006)

  I, Birgitta Roslin, do solemnly declare that I shall endeavour to the best of my knowledge and in accordance with my conscience to pass judgement without fear or favour, be the accused rich or poor, and according to the laws and statutes of Sweden; never to pervert the law nor to promote wrongdoing on grounds of family connections, friendship, jealousy, malevolence, or fear, nor in response to bribes or gifts or for any other reason of no matter what nature; never to impute guilt where there is innocence, nor innocence where there is guilt. I shall never reveal to those who appear in court, neither before nor after judgement is passed, deliberations that have taken place behind closed doors. As an honest and sincere judge I shall endeavour always to adhere to this solemn oath.

  Code of Judicial Procedure, Ch. 4, §11, Judicial Oath

  The Epitaph

  1

  Frozen snow, severe frost. Midwinter.

  Early in January 2006 a lone wolf crosses the unmarked border and enters Sweden from Vauldalen in Norway. A man on a snowmobile thinks he might have glimpsed it just outside Fjällnäs, but the wolf vanishes into the trees heading east before he is able to pinpoint it. In the remote Norwegian Österdalarna Mountains it had discovered a lump of frozen moose carcass, with remnants of meat still clinging to the bones. But that was more than two days ago. It is beginning to feel the pain of hunger and is desperately searching for food.

  The wolf is a young male that has set out to find a territory of his own. He continues his way eastward. At Nävjarna, north of Linsell, he finds another moose carcass. For a whole day he stays and eats his fill before resuming his trek east. When he comes to Kårböle he trots over the frozen Ljusnan and then follows the river along its winding route towards the sea. One moonless night he lopes silently over the bridge at Järvsö, then heads into the vast forests that stretch to the coast.

  In the early morning of 13 January the wolf reaches Hesjövallen, a tiny village south of Hansesjön Lake in Hälsingland. He pauses and sniffs the air. He detects the smell of blood. He looks around. There are people living in the houses but no smoke rising from the chimneys. His sharp ears can’t detect the slightest sound.

  But the wolf is in no doubt about the blood. He skulks at the edge of the forest, nose in the air. Then he moves forward, silently, through the snow. The smell comes from one of the houses at the far end of the hamlet. He is vigilant now – with humans around it’s essential to be both careful and patient. He pauses again. The smell originates from the back of the house. He waits. Then eventually starts moving once more. When he gets there he finds another carcass. He drags his large meal back to the trees. He has not been discovered, not even the village dogs have stirred. The silence is total this freezing cold morning.

  The wolf starts eating when he comes to the edge of the trees. It is easy, as the flesh has not yet frozen. He is very hungry now. Having pulled off a leather shoe, he starts gnawing away at an ankle.

  It snowed during the night but stopped before dawn. As the wolf eats his fill, snowflakes once again start dancing down towards the frozen ground.

  2

  When Karsten Höglin woke up he remembered dreaming about a photograph. He lay motionless in bed and felt the image r
eturning slowly, as if the negative of his dream were sending a copy into his conscious mind. He recognised the picture. It was black and white and depicted a man sitting on an old iron bed, with a hunting rifle hanging on the wall and a chamber pot at his feet. When he saw it for the first time, he had been gripped by the old man’s wistful smile. There was something timorous and evasive about him. Much later Karsten had discovered the background. A few years earlier the man had accidentally shot and killed his only son while hunting seabirds. From then on the rifle had never come down from the wall, and the man had become a hermit.

  Höglin thought that of all the thousands of photographs and negatives he had seen, this was the one he would never forget. He wished he had taken it himself.

  The clock on his bedside table read half past seven. Höglin usually woke up very early, but he had slept badly that night, the bed and its mattress were uncomfortable. He made up his mind to complain about them when he checked out of the hotel.

  It was the ninth and final day of his journey. It had been made possible by a scholarship enabling him to study deserted villages and other small settlements that were being depopulated. He had come as far as Hudiksvall and had one hamlet left to photograph. He had chosen this particular one because an old man who lived there had read about his project and sent him a letter. Höglin had been impressed by the letter and decided that this was the place for him to conclude his study.

  He got up and opened the curtains. It had snowed during the night and was still grey, the sun not yet risen. A bundled-up woman was cycling past in the street below. Karsten considered her and wondered how cold it was. Minus five degrees Celsius, possibly minus seven.

  He dressed and took the slow-moving lift down to reception. He had parked his car in the enclosed courtyard behind the hotel. It was safe there. Even so, he had taken all his photographic equipment up to his room, as was his practice. His worst nightmare was to come to his car one day and find that all his cameras had vanished.

  The receptionist was a young girl, barely out of her teens. He noticed that her make-up was slapdash and gave up on the idea of complaining about the bed. After all, he had no intention of ever returning to the hotel.

  In the breakfast room a few guests were absorbed in their morning papers. For a fleeting moment he was tempted to get a camera and take a shot. It gave him the feeling that Sweden had always been exactly like this. Silent people, poring over their newspapers with a cup of coffee, absorbed in their own thoughts, their own fates.

  But he resisted the temptation, served himself coffee, buttered two slices of bread and tucked into a soft-boiled egg. Without a newspaper, he ate quickly. He hated being at a meal on his own without anything to read.

  It was colder than he expected when he emerged from the hotel. He stood on tiptoe to read the thermometer in the reception window. Minus eleven degrees. And falling, he suspected. This winter has been far too warm. Here comes the cold spell we’ve been expecting. He put his cases on the back seat, started the engine and began scraping ice off the windscreen. There was a map on the passenger seat. The previous day, after taking pictures of a village not far from Lake Hassela, he had worked out how to get to his final port of call: take the main road southward, turn off towards Sörforsa near Iggesund, then follow either the east or the west shore of the lake called Storsjön in some parts and Långsjön in others. The guy at the petrol station on the way into Hudiksvall had warned him that the east road was bad, but he decided to take it anyway. It would be quicker. And the light was so lovely this winter morning. He could already envisage the smoke rising straight up to the sky from the chimneys.

  It took him forty minutes to get there. By then he had already made a wrong turn, a road leading southward to Näcksjö.

  Hesjövallen was situated in a little valley by a lake whose name he couldn’t recall. Hesjön, maybe? The dense forests extended all the way to the hamlet, on both sides of the narrow road leading up towards Härjedalen.

  Karsten stopped at the edge of the tiny village and got out of the car. There were breaks in the clouds now. The light would become more difficult to capture, perhaps not so expressive. He looked around. Everything was very still. The houses gave the impression of having been there since time immemorial. In the distance he could hear the faint noise of traffic on the main road.

  He suddenly felt uneasy. He held his breath, as he always did when confronted with something he didn’t really understand.

  Then it dawned on him – the chimneys, they were cold. There was no sign of smoke, which would have been an effective feature of the photographs he hoped to take. His gaze moved slowly from house to house. Somebody’s cleared the snow already, he thought. But not lit a single fire? He remembered the letter he’d received from the man who had told him about the village. He had referred to the chimneys and how the houses seemed, in a childish sort of way, to be sending smoke signals to one another.

  He sighed. People don’t write the truth, but what they think you want to read. Now should I take pictures with cold chimneys or abandon the whole business? Nobody was forcing him to take photographs of Hesjövallen and its inhabitants. He already had plenty of pictures of the Sweden that was fading away: the derelict farms, the remote villages whose only hope of survival was that Danes and Germans would buy up the houses and turn them into summer cottages. He decided to leave and returned to his car. But he didn’t start the engine. He had come this far; the least he could do was to try to create some portrait of the local inhabitants – he wanted faces. As the years passed, Karsten Höglin had become increasingly fascinated by elderly people. He wanted to compile an album: pictures that would describe the beauty found only in the faces of very old women, their lives and hardships etched into their skin like the sediment in a cliff wall.

  He got out of his car again, pulled his fur hat down over his ears, picked out a Leica M6 he’d been using for the past ten years, and made for the nearest of the group of houses. There were ten in all, most of them timber and painted red, some with added stoops. He could see only one modern house. If it could still be called modern, that is – a 1950s detached house. When he came to the gate, he paused and raised his camera. The nameplate indicated that the Andrén family lived there. He took a few shots, varying the aperture setting and exposure time, trying out several angles, though it was clear that there wasn’t enough light yet and he would get only an indistinct blur. But you never know. Photographers sometimes expose unexpected secrets.

  Höglin was intuitive with his work. Not that he didn’t bother to measure light levels when required, but sometimes he’d pull off surprising results without paying attention to carefully calculated exposure times. Improvisation went with the territory.

  The gate was stiff. He had to push hard in order to open it. There were no footprints in the newly fallen snow. Still not a sound, not even a dog. It’s deserted, he thought. This isn’t a village; it’s a Flying Dutchman.

  He knocked on the front door, waited, then knocked again. Nothing. He began to wonder what was going on. Something was amiss. He knocked again, harder and longer. Then he tried the door handle. Locked. Old people scare easily, he thought. They lock their doors and worry that all the things they read about in the papers are going to happen to them.

  He banged on the door. Nothing. He concluded there must not be anybody at home.

  He went back through the gate and moved on to the next house. It was starting to get lighter now. The house was painted yellow. The putty around the windows was coming off – it must be very draughty inside. Before knocking he tried the door handle. Locked again. He knocked hard, then began banging away even before anybody could possibly have had time to answer. Once again, empty.

  If he went back to his car now, he would be at home in Piteå by early afternoon. That would please his wife. She was convinced that he was too old to be embarking on all these trips, despite the fact that he was only sixty-three. But he had been diagnosed with symptoms of imminent angina. The doctor h
ad advised him to watch what he ate and try to get as much exercise as possible.

  One last try. He went round to the back of the house and tried a door that seemed to lead to a utility room behind the kitchen. That was also locked. He went to the nearest window, stood on tiptoe and looked in. He could see through a gap in the curtains into a room with a television set. He continued to the next window. It was the same room, and he could still see the TV. A tapestry hanging on the wall informed him that JESUS IS YOUR BEST FRIEND. He was about to move on to the next window when something on the floor attracted his attention. At first he thought it was a ball of wool just lying there. Then he saw that it was a woolly sock, and that the sock was on a foot. He stepped back from the window. His heart was pounding. Was that really a foot? He went back to the first window, but he couldn’t see as far into the room from there. He went on to the second window. Now he was certain. It really was a foot. A motionless foot. He couldn’t be sure if it was a man’s or a woman’s. The owner of the foot might be sitting in a chair. It was hard to make out – but if so why hadn’t the person stirred?

  He knocked on the window as hard as he dared, but there was no response. He took out his mobile phone and dialled the emergency number. No signal. He ran to the third house and banged on the door. Nothing. He felt like he was in the middle of a nightmare. He picked up a foot scraper, smashed the door lock and forced his way in. He had to find a telephone. There was an old woman lying on the kitchen floor. Her head was almost totally severed from her neck. Beside her lay the carcass of a dog, cut in two.

  Höglin screamed and turned to flee. As he ran through the hall he saw the body of a man sprawled on the floor of the living room, between the table and a red sofa with a white throw. The old man was naked. His back was covered in blood.

 
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