This Side of Paradise

      F. Scott Fitzgerald
This Side of Paradise

This Side of Paradise is the debut novel of F. Scott Fitzgerald. Published in 1920, and taking its title from a line of the Rupert Brooke poem Tiare Tahiti, the book examines the lives and morality of post-World War I youth. Its protagonist, Amory Blaine, is an attractive Princeton University student who dabbles in literature. The novel explores the theme of love warped by greed and status-seeking.
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    The Great Gatsby

      F. Scott Fitzgerald
The Great Gatsby

*The Great Gatsby*, F. Scott Fitzgerald's portrait of the Jazz Age in all its decadence and excess, is, as editor Maxwell Perkins praised it in 1924, "a wonder." It remains one of the most widely read, translated, admired, imitated and studied twentieth-century works of American fiction. This deceptively simple work, Fitzgerald's best known, was hailed by critics as capturing the spirit of the generation. In Jay Gatsby, Fitzgerald embodies some of America's strongest obsessions: wealth, power, greed, and the promise of new beginnings. The recording includes a selection of letters written by Fitzgerald to his editor, Maxwell Perkins, his agent, Harold Ober, and friends and associates, including Willa Cather, H.L. Mencken, John Peale Bishop and Gertrude Stein. Performed by Tim Robbins
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    Tender Is the Night

      F. Scott Fitzgerald
Tender Is the Night

Set on the French Riviera in the late 1920s, *Tender Is the Night* is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character, *Tender Is the Night* is lyrical, expansive, and hauntingly evocative.
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    The Beautiful and Damned

      F. Scott Fitzgerald
The Beautiful and Damned

**The classic novel of greed and vice from F. Scott Fitzgerald.** Set in an era of intoxicating excitement and ruinous excess, changing manners and challenged morals, F. Scott Fitzgerald’s second novel chronicles the lives of Harvard-educated Anthony Patch and his beautiful, willful wife, Gloria. This bitingly ironic story eerily foretells the fate of the author and his own wife, Zelda—from its giddy romantic beginnings to its alcohol-fueled demise. A portrait of greed, ambition, and squandered talent, *The Beautiful and Damned *depicts an America embarked on the greatest spree in its history, a world Fitzgerald saw “with clearer eyes than any of his contemporaries.”* By turns hilarious, heartbreaking, and chillingly prophetic, it remains one of his best-known works, which Gertrude Stein correctly predicted “will be read when many of his well-known contemporaries are forgotten.” *Tobias Wolff **
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    The Love of the Last Tycoon

      F. Scott Fitzgerald
The Love of the Last Tycoon

*The Last Tycoon,* edited by the renowned literary critic Edmund Wilson, was first published a year after Fitzgerald's death and includes the author's notes and outline for his unfinished literary masterpiece. It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.
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    Tales of the Jazz Age (Classic Reprint)

      F. Scott Fitzgerald
Tales of the Jazz Age (Classic Reprint)

A TABLE OF CONTENTS MY LAST FLAPPERS THE JELLY-BEAN Page 3 This is a Southern story, with the scene laid in the small city of Tarleton, Georgia. I have a profound affection for Tarlelon, but somehow whenever I write a story about it I receive letters from all over the South denouncing me in no uncertain terms. "The Jelly-Bean," published in "The Metropolitan," drew its full share of these admonitory notes. It was written under strange circumstances shortly after my first novel was published, and, moreover, it was the first story in which I had a collaborator. For, finding that I was unable to manage the crap-shooting episode, I turned it over to my wife, who, as a Southern girl, was presumably an expert on the technique and terminology of that great sectional pastime. I suppose tluil of all the stories I have ever written this one cost me the least travail and perhaps gave me the most amuse-ment. As to tlte labor involved, it was written during one day in the city of New Orle

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Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the difficult to read text. Read books online for free at www.forgottenbooks.org

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    The Curious Case of Benjamin Button and Six Other Stories

      F. Scott Fitzgerald
The Curious Case of Benjamin Button and Six Other Stories

Full grown with a long, smoke-coloured beard, requiring the services of a cane and fonder of cigars than warm milk, Benjamin Button is a very curious baby indeed. And, as Benjamin becomes increasingly youthful with the passing years, his family wonders why he persists in the embarrassing folly of living in reverse. In this imaginative fable of ageing and the other stories collected here including The Cut-Glass Bowl in which an ill-meant gift haunts a family s misfortunes, The Four Fists where a man’s life shaped by a series of punches to his face, and the revelry, mobs and anguish of May Day F. Scott Fitzgerald displays his unmatched gift as a writer of short stories.
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    The Pat Hobby Stories

      F. Scott Fitzgerald
The Pat Hobby Stories

A fascinating study in self-satire that brings to life the Hollywood years of F. Scott Fitzgerald
The setting: Hollywood: the character: Pat Hobby, a down-and-out screenwriter trying to break back into show business, but having better luck getting into bars. Written between 1939 and 1940, when F. Scott Fitzgerald was working for Universal Studios, the seventeen Pat Hobby stories were first published in Esquire magazine and present a bitterly humorous portrait of a once-successful writer who becomes a forgotten hack on a Hollywood lot. "This was not art" Pat Hobby often said, "this was an industry" where whom "you sat with at lunch was more important than what you dictated in your office."
The Pat Hobby sequence, as Arnold Gingrich writes in his introduction, is Fitzgerald's "last word from his last home, for much of what he felt about Hollywood and about himself permeated these stories."

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