Adventures of a Cat-Whiskered Girl, p.6Daniel Pinkwater
"I can help Molly carry her things," I said. "Let's go now."
"In that case, I will go too," Professor Tag said. "I want to have my hat blocked. I will come back to hear the explanations another time."
We said goodbye to Chicken Nancy and Weer, and headed for downtown Poughkeepsie.
Do You or Do You Not Know the Muffin Man?
We walked back toward downtown Poughkeepsie with Professor Tag.
"So, are you really not crazy anymore?" I asked Molly. "Did one cup of Chicken Nancy's special tea cure you?"
"I think so," Molly said. "But it's hard to put into words, or even feelings. I mean, I have been crazy so long, and when you're crazy you aren't noticing that you're crazy all the time—besides, I wasn't crazy every single minute, as you must have noticed. You know what it's like? It's like having forgotten something, and knowing you've forgotten something, only you don't know what it is you've forgotten, obviously, because you've forgotten it. Only, of course, in this case I am not trying to remember it. So let's change the subject."
"I'm happy for you, of course," Professor Tag said. "But, speaking for myself, not being crazy would make me sad."
"I was a little sad when I was crazy, and I'm noticing that I am not sad at all now," Molly said.
"Then Chicken Nancy did the right thing."
"What else do you know about the Muffin Man?" I asked the professor.
"Well, mainly I know the song and the game we played as children. We would sing, 'Do you know the Muffin Man?' and the adults would steal the muffins from our lunchboxes. Muffins were popular treats when I was a child."
"And at the end of the game, the adults would give the muffins back," I said.
"I don't remember them doing that," the professor said. "I was under the impression they kept them and ate them. Anyway, I did not know the Muffin Man was still around. We thought he was long dead."
"Apparently he is still around," I said.
"And invisible, even," Molly said. "And sort of evil or dangerous, from the way Chicken Nancy was acting."
"I want to hear all about him," I said. "And even more, I want to hear about that picture Chicken Nancy has."
"The one of you," Molly said.
"It's not me," I said. "It's Elizabeth Van Vreemdeling, Cornelius Van Vreemdeling's granddaughter and a friend of Chicken Nancy's mother."
"It's a picture of you," Molly said.
"Because of the whiskers?"
"Because of everything," Molly said. "Professor, you know that picture Chicken Nancy showed us?"
"The one of Audrey?"
"Yes, that one. Of whom is it a portrait?"
"Of whom? Of Audrey, of course," the professor said.
"She said! She plainly said it is a picture of Elizabeth Van Vreemdeling!" I said. "Why and how would she have an old oil painting of me, and why would she tell us it was of someone other than me?"
"You'd have to ask her that," the professor said. "At the very least there's a striking similarity. And here we are at the bookstore, and my goodness, look what a crowd!"
They Are Among Us
There was quite a crowd. They were milling about in front of the UFO Bookshop, and there were a lot of people inside. I recognized most of them—they were regular customers. But what were they all doing here at once?
Molly and I threaded our way through the press of people and went inside the shop. Mrs. Gleybner saw us and hurried toward us. "Oh, you're just in time, girls!" she said. "Put on these aprons and start handing around apple cider and cookies. We have an important guest. He will be arriving any moment."
We put on the aprons and carried trays with little paper cups of cider and sugar cookies and offered them to the people. It turned out the important guest was Eland I. Tankwiper. He was an author, and he was coming to the bookstore to sign copies of his book, They Are Among Us. It was all about how aliens from space are here on Earth and living disguised as regular Earth people. Eland I. Tankwiper was a specialist in subjects such as space aliens. I had read parts of the book. We had a copy in the store. It claimed that Woodrow Wilson, Johann Sebastian Bach, Walt Disney, and Josef Stalin were all residents of other planets who had come to live on Earth. Now there was a whole box of copies of They Are Among Us, and lots of copies stacked in a pyramid in the window.
The people all applauded when Tankwiper arrived. He had on a beautiful blue suit, and a long flowing mustache. Mr. and Mrs. Gleybner shook hands with him. They stood around for a while, laughing and smiling and chatting. Then Mrs. Gleybner caught sight of me and motioned for me to come toward her. I knew what was coming.
"We have a surprise for you, Mr. Tankwiper," Mrs. Gleybner said. "I don't suppose you thought you would meet a real extraterrestrial in a bookshop here in Poughkeepsie. This is Audrey, our very own space alien."
Eland I. Tankwiper pulled a pair of horn-rimmed eyeglasses out of his breast pocket and put them on. He peered at me through the glasses, took them off and cleaned them with his handkerchief, and put them on again. Then he put his glasses back in his pocket and said, "I regret to contradict you, Mr. and Mrs. Gleybner, but this young lady is not an extraterrestrial. If you refer to the illustrations in the back of my book showing the various types of space aliens, you will find there is not one that looks like her. She is nothing but a common or garden variety Earth girl with a set of whiskers. Very nice whiskers, to be sure, but she is nothing out of the ordinary."
The Gleybners were crestfallen. They did their best to hide it, but I could see that Eland I. Tankwiper had spoiled one of their favorite imaginary beliefs. I had long before stopped trying to explain that I was not a space alien—it seemed to make them so happy to believe I was.
So I took offense at what Tankwiper had said. First of all, it was impolite of him to disappoint the Gleybners like that. And I didn't care for his saying I was nothing out of the ordinary. I wondered how many people he had met who came from another plane of existence, not to mention someone extraordinary enough that a wise woman more than a hundred years old had an oil painting of someone who looked enough like her that her friends thought it was her.
Mr. Tankwiper sat at a little table, and the people lined up to have their books signed. Molly and I continued to pass around the cider and cookies. Everyone seemed to be having a good time, but I took a dim view of the whole business. When I got a chance I whispered to Mrs. Gleybner, "Just because he wrote a book does not mean he knows everything."
"Do not worry yourself," Mrs. Gleybner said. "We have authors here quite often, and we are used to them."
By the time all the books had been signed and all the people had departed and Mr. Tankwiper had left with his pockets stuffed with cookies, it was already late afternoon.
"It will be getting dark by the time we get to Chicken Nancy's house," I said. "Maybe we should stay here tonight, and go in the morning."
"She is expecting us," Molly said. "And we can't very well telephone her to say we're not coming. If we walk fast, we can get there before nightfall."
"She was particular that she didn't want us wandering around after dark."
"So we won't. Let's tell Mrs. Gleybner, and start out right away."
Of course, carrying Molly's things slowed us down a bit. And then there was the runaway horse.
We were on the street that turned into a semicountry road and led to the place where we would turn the corner at the Christmas tree farm. By this time the sun was low in the sky, but it looked to Molly as though we would make it in plenty of time—when the horse came along. It was an old horse, pale gray, almost white, and wrinkly around the nose, with dull, old-looking eyes, and it shuffled along as though it didn't have much energy. It had a green halter on and was dragging a length of rope.
"It looks like this horse has gotten away from somewhere," Molly said. She grabbed the rope. The horse came to a stop and rested its chin on her shoulder. "
I had some leftover cookies from the bookstore in a paper bag in my pocket. I fished one out and gave it to the horse. He ate it.
"Give him another," Molly said.
The horse wound up eating all the cookies. I was going to give them to Chicken Nancy, but they were storebought cookies, and not very good compared to the ones she baked. The horse thought they were swell.
"What now?" I asked. "We can't just stand here in the street, feeding this horse cookies all day."
"Obviously he has gotten loose from somewhere," Molly said. "We should find out where he belongs."
"How do we do that?" I asked. "Does he have a little tag around his neck, or a horse license?"
"That's dogs," Molly said. "I don't think horses have those."
We were walking now, the horse shambling along with us, probably hoping I had more cookies. "We should ask people if they know where he comes from."
"There's nobody around," I said. "People are in their houses, preparing supper."
"Well, look for someplace farmy-looking," Molly said. "We'll knock on the door."
"What if they don't know?" I asked.
"Well, we can't just leave him in the road. He might get in a collision with a car. He doesn't look very bright. I guess we can just take him with us to Chicken Nancy's. You want to ride him?"
"I don't know how," I said.
"Just haul yourself up onto his back," Molly said. "And I'll lead him."
I put my arms around the horse's neck and scrambled onto his back. I got the feeling he didn't mind it. Molly handed her bags up to me and I lay them across his sharp backbone in front of me.
"Comfy?" she asked.
"Somewhat," I said. "Why are we doing this?"
"Well, for one thing, I was getting tired of carrying the bags," Molly said. "And you can see farther from up there. See anyone looking like belonging to the horse?"
"There is someone way up the street," I said. "He's coming this way."
"Let's go meet him," Molly said. "With luck, it will be the horse's owner."
In a few minutes we saw a kid. The kid saw us and began to run toward us. He was a big, strapping, muscular kid in overalls and big boots. He had unruly sandy hair and freckles. All he needed was a straw hat—the perfect picture of a farmboy.
"Diablo! You found Diablo!" the kid shouted. "Thank you!"
"What did he do, run away?" Molly asked.
"More like wandered away," the kid said. "Old as he is, he can hop over the fence, and sometimes he just takes off, strolling. Usually, I find him eating grass near his paddock. This is the farthest he has ever gone."
"Do you live on a farm around here?" I asked.
"No, I live in an apartment house about a mile away," the kid said. "Diablo lives on a farm—or what's left of a farm—up the road and you make a left. Nobody lives there—the house burned down—but there is a shed where Diablo lives, and a little fenced area. I hike over two or three times a day to take care of him."
"What is your name?" Molly asked.
"Call me Jack," the kid said.
"Well, we have to be on our way, Jack," Molly said. "Glad we could help with Diablo."
"Where are you going?" Jack asked.
"Christmas tree farm."
"That's on my way!" Jack said. "Would you like to ride with your friend? Get up on Diablo. He can carry both of you. I'll lead him."
Jack lifted Molly onto the horse as if she weighed nothing, settled her behind me, took hold of the rope, and led the horse.
As I suspected, riding on Diablo was a good deal slower than walking, but it would have been too complicated to explain to Jack that we didn't want to ride once we were already on the horse. Besides, Jack was cute.
"So you live in an apartment and take care of this horse," I said. "What is that all about?"
"I always wanted a horse," Jack said. "When Diablo's farm burned down, the farmer was going to send him to be dog food, so I asked if I could have him. I have to carry bales of hay on my back from the feed store up the road, and I carry buckets of water from the gas station. He takes up so much of my time and energy that I'm flunking out of high school."
"It is worth it?"
We arrived at the corner and the Christmas tree farm.
"I really appreciate your catching Diablo for me," Jack said after we slid down off the horse's back. "If there is ever anything I can do for you, just come a little way past the Christmas tree farm. You can't miss Diablo's paddock and shed—it's the crummiest thing on the whole road. If I'm not there when you come, I will be soon. And, it's none of my business, but why are you going to the Christmas tree farm when it's almost dark? The place is haunted like nobody's business."
"We have a friend who lives nearby," I said.
"And ghosts don't scare us," Molly said.
Not only was it almost dark, but a fog had rolled in. Everything was gray and murky-looking. Jack said goodbye to us and led Diablo away. They were swallowed up in the murk in half a minute, and we started along the driveway.
"Well, we got here before night—sort of," Molly said.
"Did you mean it when you said ghosts don't scare us?" I asked Molly.
"Sure I meant it."
"Good—because this is the ghostiest-looking place ever."
In the Fog
It was hard to tell what was shadow and what was solid object in the fog. It was one of those greenish, greasy fogs, and when we were twenty paces into the Christmas tree farm we had no way to tell where we were. Only by continuing to walk in the direction we'd started could we have even a vague clue that we were heading the right way.
We didn't talk. By the time we reached the point at which we couldn't tell if we were still in the Christmas tree farm or had reached the woods, I realized we were holding hands. Then Molly spoke.
"Do you smell something?"
"You mean like—?"
"It can't be, can it?"
Of course, it could, and was—a sweet muffiny smell, the smell you would get if you opened a bag of muffins and stuck your nose in. And there was a thick, darker place in the fog ahead of us—ahead and above—where there was something tall and ... evil. My whiskers were tingling.
My mind was processing a lot of information that I was not getting from the usual senses—it wasn't something I saw or heard, or the muffin smell, that told me it was something evil. I was getting that from some part of my brain I hadn't known was there. But I was certain that something really bad was closing in on us, and from the way Molly was squeezing my hand, I could tell she was getting the same message.
"Why don't we stop walking?" I asked myself. And then I realized we had stopped—it was the patch of darkness that was moving ... toward us, and getting darker, and bigger.
We never did see him clearly. He remained just a cloudy darkness, even when he spread himself and rushed us. I felt myself choking. Like choking on a muffin. We were being enveloped in the blackest black. There was no pain, but I was very sure the worst kind of pain was about to come. Molly screamed.
Well, she didn't exactly scream. It was like a scream, but also like a whistle, also like rattling pebbles in a can, also like breaking glass. It was the kind of sound that makes you see colors and flashes of light. And it wasn't a scream of fear. It was more like a weapon, a sharp knife.
And in that moment there were thousands, or hundreds of thousands, of sharp knives whizzing all around us. Fast-moving, making a keen, hard, singing noise, slicing and slashing—I knew these things could cut through anything, and I imagined the burning wounds and my hot blood spilling, but they were not touching us. They were after the big black foggy thing—and it was hurting. I saw, or felt, or maybe heard it twist and shift, recoil and jump, trying to collect itself so it could get away. But they were after it, the thin, quick, vicious things. And all
Then the scream stopped. The sharp, angry flying things stopped. The black thing was gone. And here was Chicken Nancy, holding up a lantern and carrying an old-fashioned blunderbuss. Weer, the dog, was with her.
"Well, I see I had no call to worry about you," she said. "You're quite the dwerg, Molly dear."
"Chicken Nancy! You saved us!" I said.
"Not I," Chicken Nancy said. "Though I did bring my blunderbuss loaded with rock salt and juniper berries."
"Would that have worked?" I asked.
"Well, he wouldn't have liked it," Chicken Nancy said. We were walking along now. "But what Molly did was much more effective. I doubt he'll be back this way for a year or more after that experience."
"What exactly did I do?" Molly asked.
"It was your dwergish instinct," Chicken Nancy said. "You called out the tree spirits to protect you."
"The tree spirits?"
"Oh, yes. Every Christmas tree has a fierce, bloodthirsty demon within it," Chicken Nancy said. "And people think all they risk by bringing them indoors is burning the house down."
We were sitting at Chicken Nancy's table. She had cut us thick slices of hot apple pie with crumbly cheddar cheese on top, and poured glasses of milk from a crockery pitcher. There was a fire in the kitchen fireplace, and the room was lit by candles. Weer was sleeping by the fire. We felt so cozy and safe in the little house that being scared to death in the fog seemed like it had happened a long time ago.
"What happened out there?" Molly asked.
"You ran into the Muffin Man," Chicken Nancy said.
"We figured that out," Molly said. "But the other things that happened. Tree spirits, you said. What was that all about?"
Adventures of a Cat-Whiskered Girl by Daniel Pinkwater / Fantasy / Humor / Actions & Adventure / Young Adult have rating 3.6 out of 5 / Based on25 votes