“Troy meant one thing only to the men gathered here, as it did to their commanders. Troy was a dream of wealth; and if the wind continued the dream would crumble.” As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman – blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon’s beloved daughter, is brought to the coast under false pretences, and when a knife is fashioned out of the finest and most precious of materials, it looks as if the ships will soon be on their way. But can a father really go to these lengths to secure political victory, and can a daughter willingly give up her life for the worldly ambitions of her father? Throwing off the heroic values we expect of them, Barry Unsworth’s mythic characters embrace the political ethos of the twenty-first century and speak in words we recognize as our own. The blowhard Odysseus warns the men to not “marginalize” Agamemnon and to “strike while the bronze is hot.” High-sounding principles clash with private motives, and dark comedy ensues. Here is a novel that stands the world on its head. From the Hardcover edition.

Winner of the 1992 Booker Prize for Fiction Sacred Hunger is a stunning and engrossing exploration of power, domination, and greed. Filled with the "sacred hunger" to expand its empire and its profits, England entered full into the slave trade and spread the trade throughout its colonies. In this Booker Prize-winning work, Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp. From Publishers Weekly Copyright 1992 Reed Business Information, Inc.

It is the late-14th century, a time beset by war and plague. Nicholas Barber, a young cleric, abandons his post in the church and joins a troupe of travelling performers. The players re-enact the murder of a young boy, but as they rehearse they discover the truth has yet to be revealed.

Barry Unsworth returns to the terrain of his Booker Prize-winning novel Sacred Hunger, this time following Sullivan, the Irish fiddler, and Erasmus Kemp, son of a Liverpool slave ship owner who hanged himself. It is the spring of 1767, and to avenge his father's death, Erasmus Kemp has had the rebellious sailors of his father's ship, including Sullivan, brought back to London to stand trial on charges of mutiny and piracy. But as the novel opens, a blithe Sullivan has escaped and is making his way on foot to the north of England, stealing as he goes and sleeping where he can. His destination is Thorpe in the East Durham coalfields, where his dead shipmate, Billy Blair, lived: he has pledged to tell the family how Billy met his end. In this village, Billy's sister, Nan, and her miner husband, James Bordon, live with their three sons, all destined to follow their father down the pit. The youngest, only seven, is enjoying his last summer aboveground. Meanwhile, in London, a passionate anti-slavery campaigner, Frederick Ashton, gets involved in a second case relating to the lost ship. Erasmus Kemp wants compensation for the cargo of sick slaves who were thrown overboard to drown, and Ashton is representing the insurers who dispute his claim. Despite their polarized views on slavery, Ashton's beautiful sister, Jane, encounters Erasmus Kemp and finds herself powerfully attracted to him. Lord Spenton, who owns coal mines in East-Durham, has extravagant habits and is pressed for money. When he applies to the Kemp merchant bank for a loan, Erasmus sees a business opportunity of the kind he has long been hoping for, a way of gaining entry into Britain's rapidly developing and highly profitable coal and steel industries. Thus he too makes his way north, to the very same village that Sullivan is heading for . . . With historical sweep and deep pathos, Unsworth explores the struggles of the powerless and the captive against the rich and the powerful, and what weight mercy may throw on the scales of justice.

For five hundred years a statue of the Madonna has watched over Venice. Now, dulled by time and pollution, she is prepared for restoration. As Simon Raikes immerses himself in the painstaking task of cleaning and repairing, he is inexorably drawn to the stories of violence and lust which have surrounded this stone virgin. Simon’s investigations lead him to Chiara Litsov, the wife of a renowned sculptor. A dangerous attraction develops between them and it appears inevitable that once again the stone virgin will bear witness to passion, betrayal and murder.

Barry Unsworth, a writer with an “almost magical capacity for literary time travel” (New York Times Book Review) has the extraordinary ability to re-create the past and make it relevant to contemporary readers. In Land of Marvels, a thriller set in 1914, he brings to life the schemes and double-dealings of Western nations grappling for a foothold in Mesopotamia (now Iraq) in the dying days of the Ottoman Empire. Somerville, a British archaeologist, is excavating a long-buried Assyrian palace. The site lies directly in the path of a new railroad to Baghdad, and he watches nervously as the construction progresses, threatening to destroy his discovery. The expedition party includes Somerville’s beautiful, bored wife, Edith; Patricia, a smart young graduate student; and Jehar, an Arab man-of-all-duties whose subservient manner belies his intelligence and ambitions. Posing as an archaeologist, an American geologist from an oil company arrives one day and insinuates himself into the group. But he’s not the only one working undercover to stake a claim on Iraq’s rich oil fields. Historical fiction at its finest, Land of Marvels opens a window on the past and reveals its lasting impact.

Golden Umbria is home to breathtaking scenery and great art; it is also where Hannibal and his invading band of Carthaginians ambushed and slaughtered a Roman legion, and where the local place-names still speak of that bloodshed. Unsworth's contemporary invaders include the Greens, a retired American couple seeking serenity among the Umbrian hills, who are bilked out of their savings by the corrupt English "building expert" Stan Blemish; the Chapmans, a British property speculator and his wife, whose dispute with their neighbors over a wall escalates into a feud of nearly medieval proportions; Anders Ritter, a German haunted by the part his father played in a mass killing of Italian hostages in Rome during the Second World War; and Fabio and Arturo, a gay couple who, searching for peace and self-sufficiency, find treachery instead. And at the center of all these webs of deceit and greed is the cunning lawyer Mancini, happy to aid the disputants--and to exploit to the fullest the faith that these "innocents abroad" have placed in him. 

When two men disembark from the same boat in Greece, their lives accidentally and frighteningly intersect.Kennedy, an opportunist, orchestrates a scam that will have some intended and some thoroughly unintended consequences. For Mitsos, an unresolved family tragedy awakens again, along with his need to avenge his parents' deaths. With utterly convincing characterizations, Barry Unsworth brings us the underbelly of the forge of Western civilization.

In this edgy and masterfully written novel, Booker Prize-winning author Barry Unsworth explores the themes of the corruption of innocence and the complications of lust.Farnaby, a young Englishman in Istanbul researching a thesis on Ottoman fiscal policy, is nervous at his reunion with the celebrated Mooncranker who once so fatefully influenced and disturbed his life. Mooncranker, a famous intellectual, is now a pitiful alcoholic deserted by his secretary and lover Miranda—the woman Farnaby secretly loved with the violence of youth. Mooncranker sends him to find Miranda at a notorious Turkish spa on the grounds of an ancient city where sex is known to come along with the price of the room. There Farnaby tries to understand Mooncranker's gift to him as a boy of thirteen, which has tainted his life ever since, as he finds himself a pivotal figure in the eccentric destinies of the other residents of the spa.

A "powerfully done" (Times Literary Supplement) and tantalizingly semi-autobiographical novel from the author of the Booker Prize-winning Sacred Hunger.Unable to work on his novel about Liverpool's slave trade, Benson is teaching creative writing and wandering the city. The pupils who bring him their fantasies are a sad, dispossessed group with varying degrees of literary talent. Caught up in a series of bizarre events, Benson nevertheless finds his own imagination sparked by an encounter with two old army colleagues: Thompson, down-and-out and homeless; and Slater, a fabulously wealthy entrepreneur. In trying to heal old wounds, Benson unleashes a plan that just may blow up in his face. "There is a violent resolution to this obsessive and provocative novel that examines the abscesses and abysses beneath the violence of urban life and offers a quixotic personal answer." — The Times [London] "Fine descriptive writing and spirited humanity." —...

Booker Prize-winning author Barry Unsworth's first novel, published for the first time in the United States.Foley and Moss are partners in a successful small business, making plaster pixies for the tourist trade. Foley is the artistic member of the partnership; he thinks up the ideas and designs and has pretensions to even greater artistry in his cherub lamps and fixtures. Moss, the seemingly quiet one who supplied the capital for the venture, manufactures them. Barry Unsworth sets his scene magnificently—a Cornish village, Lanruan, thriving on specious tourism, and its local characters: Graham, the primitive painter; Bailey, the loud-mouthed Northerner who comes to Lanruan to make his fortune; Barbara, the nearest thing the village possesses to a bad girl; and above all Gwendoline, who, inadvertently, begins the rift in the partnership between Foley and Moss. The Partnership is a disquieting, darkly funny tale about hidden desires and the unspoken...

It was a big day for Cuthbertson's Regional School, and it would go off like a bomb.Donald Cuthbertson prided himself on being a model for his students and teachers, but he had lately begun to lose his focus. Degree Day is approaching, along with a birthday party for his wife, Lavinia, who is not going quietly into middle age. Her lavish costume party provides the revelers with a darkly comic resolution to romantic dalliance and political intrigue.

"His keen understanding of history and legend...illuminate[s] his visits." —Publishers Weekly "A vivid picture of the island." —Associated Press "It is hard to think of anywhere on earth where so many firsts and mosts are crammed into a space so small," Barry Unsworth writes of the isle of Crete. Birthplace of the Greek god Zeus, the Greek alphabet, and the first Greek laws, as well as the home of 15 mountain ranges and the longest gorge in Europe, this land is indisputably unique. And since ancient times, its inhabitants have maintained an astonishing tenacity and sense of national identity, even as they suffered conquest and occupation by Romans, Byzantines, Arabs, Venetians, Ottoman Turks, and Germans. Throughout this evocative book, now in trade paper, Unsworth describes the incredible physical and cultural proportions of the island—in history, myth, and reality. Moving and artful, Crete gives readers a comprehensive picture and rich understanding of this complex—and indeed, almost magical—world of Mediterranean wonders. With the same keen eye and clear, eloquent prose that distinguishes his acclaimed historical novels, Barry Unsworth delivers his readers a two-fold traveler's reward, at once a wonderfully detailed panorama of Crete's many layers of history and an evocative portrait of an island almost literally larger than life.

This early work by the Booker Prize-winning author Barry Unsworth chronicles one of his literary obsessions the corruption of innocence and forms it into a compelling contemporary narrative set in the rambling, overgrown grounds of an English estate. There, relying on his rich sister Audrey's beneficence, Simon obsessively digs a secret system of tunnels from which to spy on others. When Josh, a good-looking naif, becomes a gardener at Audrey's home, the two women of the household, Audrey and her distant relative and housekeeper, Marion, find Josh's strength and seeming innocence a potent spell, and his response escalates unacknowledged tensions between them. Meanwhile, Simon, worried about Josh, takes steps to prevent the exposure of his underground labyrinth. The explosive chemistry between the characters will eventually rip apart and rearrange all their lives.

Barry Unsworth’s Losing Nelson is a novel of obsession, the story of a man unable to see himself separately from the hero he mistakenly idolizes Admiral Lord Nelson. Charles Cleasby is, in fact, a Nelson biographer run amok. He is convinced that Nelson—Britain's greatest admiral, who finally defeated Napoleon, and lost his own life, in the Battle of Trafalgar—is the perfect hero, but in his research he has come upon an incident of horrifying brutality in Nelson's military career that simply stumps all attempts at glorification.

It is the late-14th century, a time beset by war and plague. Nicholas Barber, a young cleric, abandons his post in the church and joins a troupe of travelling performers. The players re-enact the murder of a young boy, but as they rehearse they discover the truth has yet to be revealed

"A masterful tale of treachery and duplicity… Spellbinding."-New York Times The year is 1908, the place, a small Greek island in the declining days of the crumbling Ottoman Empire. For twenty years Basil Pascali has spied on the people of his small community and secretly reported on their activities to the authorities in Constantinople. Although his reports are never acknowledged, never acted upon, he has received regular payment for his work. Now he fears that the villagers have found him out and he becomes engulfed in paranoia. In the midst of his panic, a charming Englishman arrives on the island claiming to be an archaeologist, and charms his way into the heart of the woman for whom Pascali pines. A complex game is played out between the two where cunning and betrayal may come to haunt them both. Pascali's Island was made into a feature film starring Ben Kingsley and Helen Mirren. "Darkly ironic… Offers an almost Conradian richness."-The New Yorker "A compelling portrait of a schemer whose shabby amorality scarcely ensures his survival in a world where treachery is the rule."- Boston Sunday Globe

If one had the misfortune to be born in the 12th century, then Sicily was the place to be. The Normans had conquered the island, finding it effectively divided in two, inhabited partly by Arabs, partly by Greeks. From the outset, they had given both these communities major responsibility in the government. As well as Latin and Norman French, Greek and Arabic were official languages of the developing state; and when in 1130 that state became a kingdom under Roger II, it was already an example to all Europe of cultural and religious toleration. The chief minister and head of the all-important navy was always a Greek (our word admiral derives through Norman Sicily from the Arab title of emir), while the treasury was entrusted to Arabs, whose mathematics were better than anyone else's. Roger himself was as unlike a Norman knight as it is possible to be. Brought up in Palermo by an Italian mother in a world of Greek and Muslim tutors, he was a southerner – indeed, an oriental – through and through; and the chapel that he built in the Royal Palace is one of the wonders of the world. The ground plan is that of a western basilica; but the walls are encrusted with Byzantine mosaics as fine as any in existence, while the wooden roof, in the classical Islamic style, would do credit to Cairo or Damascus. Here as nowhere else the Norman achievement is given visual expression. But of course it was all too good to last. The independent Norman kingdom of Sicily endured only 64 years, ending soon after the death of the last legitimate king, William the Good. But perhaps that kingdom, swallowed up by the Holy Roman Empire, carried within itself the seeds of its own destruction. It was too heterogeneous, too eclectic, too cosmopolitan. It hardly tried – or perhaps it had no time – to develop any natural traditions of its own. And it paid the price. Here, then, is the tragedy that forms the backdrop to the Booker-longlisted The Ruby in her Navel. Nowadays the story of Norman Sicily is largely and undeservedly forgotten; knowing it and loving it as I do, I picked the book up with some trepidation (which, I may say, was hardly diminished by its appalling title). But I have long admired its author, so I plunged in – and was instantly, and almost literally, transported. Now, it is not easy to transport a reader 1,000 years into the past, into a country and cultural climate 1,000 miles away from his own; I can only say that Unsworth succeeded triumphantly. His hero, born in England of a Norman father but brought to Sicily as a child, tells his story in the first person. It begins with him working as a civil servant in the office of a high-ranking Arab; he is sent on a mission to Calabria, where he meets a troupe of travelling dancers from eastern Anatolia (one of them the owner of the eponymous navel) and where he is accidentally reunited with a childhood sweetheart, now unhappily married. There follows a somewhat picaresque story of love, betrayals and attempted regicide, all of it set against the constant rivalries of Latin and Greek, Christian and Muslim – the latter further exacerbated by the recent catastrophic second crusade. It is a good story, which holds the attention from start to finish; but its real strength lies in the power of the author's historical imagination. He made me feel what it was actually like to live, work and travel in Norman Sicily. There is no whitewashing; almost all the characters, including the narrator himself, are to a greater or lesser degree unpleasant. But life, one feels, was never dull, if one had the misfortune to be born in the 12th century.

“Troy meant one thing only to the men gathered here, as it did to their commanders. Troy was a dream of wealth; and if the wind continued the dream would crumble.”As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman – blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon’s beloved daughter, is brought to the coast under false pretences, and when a knife is fashioned out of the finest and most precious of materials, it looks as if the ships will soon be on their way. But can a father really go to these lengths to secure political victory, and can a daughter willingly give up her life for the worldly ambitions of her father?Throwing off the heroic values we expect of them, Barry Unsworth’s mythic characters embrace the political ethos of the twenty-first century and speak in words we recognize as our own. The blowhard Odysseus warns the men to not “marginalize” Agamemnon and to “strike while the bronze is hot.” High-sounding principles clash with private motives, and dark comedy ensues. Here is a novel that stands the world on its head.From the Hardcover edition.