Build-in Book Search

Dominus
Steven Saylor
Following his international bestsellers Roma and Empire, Steven Saylor continues his saga of the greatest, most storied empire in history from the eternal city at the very center of it all.A.D. 165: The empire of Rome has reached its pinnacle. Universal peace—the Pax Roma—reigns from Britannia to Egypt, from Gaul to Greece. Marcus Aurelius, as much a philosopher as he is an emperor, oversees a golden age in the city of Rome. The ancient Pinarius family and their workshop of artisans embellish the richest and greatest city on earth with gilded statues and towering marble monuments. Art and reason flourish. But history does not stand still.The years to come bring wars, plagues, fires, and famines. The best emperors in history are succeeded by some of the worst. Barbarians descend in endless waves, eventually appearing before the gates of Rome itself. The military seizes power and sells the throne to the highest bidder. Chaos engulfs the...

Wrath of the Furies
Steven Saylor
In 88 B.C., it seems as if the entire ancient world is at war. In the west, the Italian states are rebelling against Rome; in the east, Mithridates is marching through and conquering the Roman Asian provinces. Even in the relatively calm Alexandria, a coup has brought a new Pharaoh to power and chaos to the streets. The young Gordianus has been waiting out the chaos in Alexandria, with Bethesda, when he gets a cryptic message from his former tutor and friend, Antipater. Now in Ephesus, as part of Mithridates' entourage, Antipater seems to think that his life is in imminent danger. To rescue him, Gordianus concocts a daring, even foolhardy, scheme to go "behind enemy lines" and bring Antipater to safety. But there are powerful, and deadly forces, at work here, which have their own plans for Gordianus. Not entirely sure whether he's a player or a pawn, Gordianus must unravel the mystery behind the message if he's to save himself and the people he holds most dear.

The Venus Throw - Roman Sub Rosa 04
Steven Saylor
EDITORIAL REVIEW: On a chill January evening in 56 B.C., two strange visitors to Rome - an Egyptian ambassador and a eunuch priest - seek out Gordianus the Finder whose specialty is solving murders. But the ambassador, a philosopher named Dio, has come to ask for something Gordianus cannot give - help in staying alive. Before the night is out, he will be murdered. Now Gordianus begins his most dangerous case. Hired to investigate Dio's death by a beautiful woman with a scandalous reputation, he will follow a trail of political intrigue into the highest circles of power and the city's most hidden arenas of debauchery. There Gordianus will learn nothing is as it seems - not the damning evidence he uncovers, not the suspect he sends to trial, not even the real truth behind Dio's death which lies in secrets - not of state, but of the heart. **Steven Saylor** is the author of the long running series featuring Gordianus the Finder as well as the *New York Times* bestselling novel, *Roma*. He has appeared as an on-air expert on Roman history and life on The History Channel. He divides his time between Berkeley, California, and Austin, Texas. On a chill January evening in 56 B.C., two strange visitors to Rome—an Egyptian ambassador and a eunuch priest—seek out Gordianus the Finder whose specialty is solving murders. But the ambassador, a philosopher named Dio, has come to ask for something Gordianus cannot give—help in staying alive. Before the night is out, he will be murdered. Now Gordianus begins his most dangerous case. Hired to investigate Dio's death by a beautiful woman with a scandalous reputation, he will follow a trail of political intrigue into the highest circles of power and the city's most hidden arenas of debauchery. There Gordianus will learn nothing is as it seems—not the damning evidence he uncovers, not the suspect he sends to trial, not even the real truth behind Dio's death which lies in secrets—not of state, but of the heart. "Imaginative . . . Saylor's style is smooth . . . An absorbing look at a time when men tried to rule themselves wisely and failed."—***San Francisco Chronicle*** "Saylor writes with vision and clarity, balancing sound historical scholarship with a gift for storytelling."—***Anniston Star ***"Engrossing . . . Intensely dramatic . . . Erotic, funny, compelling . . . A bona fide page-turner."—***Detroit Free Press*** "Steven Saylor transports you to Ancient Rome with spellbinding effectiveness."—***Austin Chronicle*** "Finely etched historical background . . . The finest flower yet of Saylor's Roma Sub Rosa series."—***Kirkus Reviews ***"Engrossing . . . Simmering with eroticism . . . An absorbing brew of Rome's decay."—***Publishers Weekly*** **** **** **** **** **Table of Contents** CHRONOLOGY Part One: NEX [death, usually violent death: murder] Part Two: NOXIA [a fault or offense: a crime] Part Three: NOX [the goddess Night, sister of Eros; blindness; gloom] Part Four: NEXUS [a binding or tying together] AUTHOR'S NOTE

Arms of Nemesis - Roman Sub Rosa 02
Steven Saylor
SUMMARY: The hideously disfigured body of Lucius Licinius was found in the atrium. The only clues are a blood-soaked cloak, and, carved into the stone at the corpse's feet, the word Sparta....For Gordianus the Finder, summoned from Rome to a luxury resort on the Bay of Naples, the case is agonizing. The overseer of Marcus Crassus's estate has been murdered, apparently by two slaves bent on joining Spartacus's revolt. The wealthy, powerful Crassus vows to honor an ancient law and kill his ninety-nine remaining slaves in retaliation. From the brutal stench of a slave galley to the limpid, sea-glazed beauty of Baiae and the sulphurous pits of the Sybil at Cumae, Giordanus draws closer to the terrifying truth. Enmeshed in a world of desperate slaves and duplicitous masters, extravagant feasts and sordid secrets, he must risk all he loves, including his life, to stop a senseless slaughter-and save the very future of Rome itself.AUTHORBIO: STEVEN SAYLOR is the author of eight books in the Roma Sub Rosa featuring Gordianus the Finder, most recently Roman Blood.He divides his time between homes in Austin, Texas, and Berkeley, California.

Roma
Steven Saylor
Spanning a thousand years, and following the shifting fortunes of two families though the ages, this is the epic saga of Rome, the city and its people.
Weaving history, legend, and new archaeological discoveries into a spellbinding narrative, critically acclaimed novelist Steven Saylor gives new life to the drama of the city’s first thousand years — from the founding of the city by the ill-fated twins Romulus and Remus, through Rome’s astonishing ascent to become the capitol of the most powerful empire in history. Roma recounts the tragedy of the hero-traitor Coriolanus, the capture of the city by the Gauls, the invasion of Hannibal, the bitter political struggles of the patricians and plebeians, and the ultimate death of Rome’s republic with the triumph, and assassination, of Julius Caesar.
Witnessing this history, and sometimes playing key roles, are the descendents of two of Rome’s first families, the Potitius and Pinarius clans: One is the confidant of Romulus. One is born a slave and tempts a Vestal virgin to break her vows. One becomes a mass murderer. And one becomes the heir of Julius Caesar. Linking the generations is a mysterious talisman as ancient as the city itself.

Arms of Nemesis
Steven Saylor
SUMMARY: The hideously disfigured body of Lucius Licinius was found in the atrium. The only clues are a blood-soaked cloak, and, carved into the stone at the corpse's feet, the word Sparta....For Gordianus the Finder, summoned from Rome to a luxury resort on the Bay of Naples, the case is agonizing. The overseer of Marcus Crassus's estate has been murdered, apparently by two slaves bent on joining Spartacus's revolt. The wealthy, powerful Crassus vows to honor an ancient law and kill his ninety-nine remaining slaves in retaliation. From the brutal stench of a slave galley to the limpid, sea-glazed beauty of Baiae and the sulphurous pits of the Sybil at Cumae, Giordanus draws closer to the terrifying truth. Enmeshed in a world of desperate slaves and duplicitous masters, extravagant feasts and sordid secrets, he must risk all he loves, including his life, to stop a senseless slaughter-and save the very future of Rome itself.AUTHORBIO: STEVEN SAYLOR is the author of eight books in the Roma Sub Rosa featuring Gordianus the Finder, most recently Roman Blood.He divides his time between homes in Austin, Texas, and Berkeley, California.

The Seven Wonders: A Novel of the Ancient World
Steven Saylor
The year is 92 B.C. Gordianus has just turned eighteen and is about to embark on the adventure of a lifetime: a far-flung journey to see the Seven Wonders of the World. Gordianus is not yet called “the Finder”—but at each of the Seven Wonders, the wide-eyed young Roman encounters a mystery to challenge the powers of deduction.Accompanying Gordianus on his travels is his tutor, Antipater of Sidon, the world’s most celebrated poet. But there is more to the apparently harmless old poet than meets the eye. Before they leave home, Antipater fakes his own death and travels under an assumed identity. Looming in the background are the first rumblings of a political upheaval that will shake the entire Roman world.Teacher and pupil journey to the fabled cities of Greece and Asia Minor, and then to Babylon and Egypt. They attend the Olympic Games, take part in exotic festivals, and marvel at the most spectacular constructions ever devised by mankind. Along the way they encounter murder, witchcraft and ghostly hauntings. Traveling the world for the first time, Gordianus discovers that amorous exploration goes hand-in-hand with crime-solving. The mysteries of love are the true wonders of the world, and at the end of the journey, an Eighth Wonder awaits him in Alexandria. Her name is Bethesda.About the AuthorSTEVEN SAYLOR is the author of acclaimed historical mystery novels featuring Gordianus the Finder, including The Triumph of Caesar, as well as the internationally bestselling historical novels Empire and Roma. He has appeared on the History Channel as an expert on Roman politics and life. He divides his time between Berkeley, California and Austin, Texas.Excerpt. © Reprinted by permission. All rights reserved.IPrelude in Rome:THE DEAD MAN WHO WASN’T“Now that you’re dead, Antipater, what do you plan to do with yourself?”My father laughed at his own joke. He knew perfectly well what Antipater was planning to do, but he couldn’t resist a paradoxical turn of phrase. Puzzles were my father’s passion—and solving them his profession. He called himself Finder, because men hired him to find the truth.Not surprisingly, old Antipater answered with a poem made up on the spot; for yes, the Antipater of whom I speak was the Antipater of Sidon—one of the most celebrated poets in the world, famed not only for the elegance of his verses but for the almost magical way he could produce them impromptu, as if drawn from the aether. His poem was in Greek, of course:“I died on my birthday, so I must leave Rome.Now your son has his birthday—is it time to leave home?”Antipater’s question, like my father’s, was merely rhetorical. For days the old poet and I had been making preparations to leave Rome together on this day. He gave me a smile. “It does seem unfair, my boy, that your birthday should be overshadowed by my funeral.”I resisted the urge to correct him. Despite his lingering habit of addressing me as a boy, I was in fact a man, and had been so for exactly a year, since I put on my manly toga when I turned seventeen. “What better way to celebrate my birthday, Teacher, than to set out on a journey such as most people can only dream of?”“Well put!” Antipater squeezed my shoulder. “It’s not every young man who can look forward to seeing with his own eyes the greatest monuments ever built by mankind, and in the company of mankind’s greatest poet.” Antipater had never been modest. Now that he was dead, I suppose he had no reason to be.“And it’s not every man who has the privilege of gazing upon his own funeral stele,” my father said, indicating with a wave of his hand the object of which he spoke.The three of us stood in the garden of my father’s house on the Esquiline Hill. The sky was cloudless and the air was warm for the month of Martius. In front of us—delivered only moments before from the sculptor’s workshop—stood a riddle in marble. It was a funeral stele for a man who was not dead. The rectangular tablet was elegantly carved and brightly painted, and only about a foot tall. Later it would be placed atop the sepulcher intended for the dead man’s ashes, but for now it was propped atop the crate in which it had been delivered.Antipater nodded thoughtfully. “And not every man has the opportunity to design his own monument, as I have. You don’t think it’s too irreverent, do you, Finder? I mean, we don’t want anyone to look at this stele and realize it’s a hoax. If anyone should surmise that I’ve faked my own death—”“Stop worrying, old friend. Everything is going as we planned. Five days ago I entered your death in the register at the Temple of Libitina. Thanks to the rich matrons who send a slave to check the lists several times a day, word of your demise spread across Rome in a matter of hours. People assumed that your old friend and patron Quintus Lutatius Catulus must be in possession of your remains and in charge of the funeral arrangements. There was disbelief when it was discovered that a citizen as humble as myself had been named executor in your will, and that your remains were to be displayed in the vestibule of my house. But so it was. I summoned the undertakers to wash and perfume the body, purchased flowers, cypress sprigs, incense, and a very elegant bier—your will provided for all necessary expenses—and then I put your corpse on display in the vestibule. And what a turnout you’ve received! All the poets and half the politicians in Rome have come to pay their respects.”Antipater flashed a wry smile. “My demise has allowed you to make the acquaintance of the best people in Rome, Finder—just the sort who are always getting dragged into court for murdering each other. I daresay this could prove a windfall for you—meeting so many potential new clients!”My father nodded. “Everyone has come to have a look, it seems—except Catulus. Do you imagine your patron is sulking, because the will didn’t name him as executor?”“More likely he’s been holding off, waiting until today to pay his respects—the day of the funeral—so that his visit will be as conspicuous as possible. Catulus may have the soul of a poet, but he has the instincts of a politician—”Antipater fell silent at the sound of a knock at the front door.“Another caller. I shall disappear at once.” Antipater hurried to the concealed door that gave access to a narrow chamber next to the vestibule, where a tiny crack in the wall served as a peephole and allowed him to observe all that transpired.A moment later, my father’s doorkeeper—the only slave he owned at that time—appeared in the garden.“You have a visitor, Master,” Damon wheezed. The constant flood of callers was running the poor old fellow ragged. He cleared his throat and I saw him concentrate, determined to get the name right. “Lintus Quitatius Catulus, former consul of the Republic, has come to pay his respects to the deceased.”“Quintus Lutatius Catulus, I think you mean,” said my father indulgently. “Come, son, let us greet the consul.”The man in the vestibule was perhaps sixty years old. Like my father and me, he was dressed in a black toga, but his was embroidered with a purple band that marked his status as a senator. Ten years ago Catulus had served as consul and commander of the legions; it was his army that annihilated the Cimbri at the battle of the Raudine Plain. But Catulus was also a man of culture and learning, and was said to have a sensitive nature. He stood stiffly upright before the funeral bier with his hands crossed before him.My father introduced himself, and me as well, but Catulus hardly seemed to notice. “Your distinguished presence graces my home, Consul, though I regret the sadness of the occasion. Did you come alone?”Catulus raised an eyebrow. “Of course not. I left my retinue outside, so that I could spend a moment alone with my old friend—face-to-face, so to speak. But alas, his face is covered.” Catulus gestured to the mask, made of wax, which concealed the face of the corpse. “Is it true that his features were damaged by the fall?”“I’m afraid so,” said my father. “The undertakers did what they could to make him presentable, but the damage was such that I decided it was preferable to conceal the injuries. Normally, a death mask is made from the direct impression of the face in repose. But in this case, I hired a sculptor to create the likeness. The mask will be used in the funeral procession, as usual, but until then I’ve placed it over his face. I think the sculptor did a very good job, don’t you? It really does look like Antipater, lying there with his eyes shut, as if he slept. Still, if you wish to gaze upon his face.…”Catulus nodded grimly. “I’m a military man, Finder. I’ve seen the most terrible things that can be done to human flesh. Show me.”My father stepped to the bier and lifted the death mask.The staid consul’s abrupt, girlish shriek, stifled by a fist to his mouth, was so incongruous that I almost laughed out loud. Behind the wall, I heard a noise like loose plaster falling, and imagined Antipater shaking with mirth.Catulus glanced at the wall. My father shrugged and looked embarrassed, as if to apologize for the presence of rats.“But how could a mere fall have resulted in such terrible disfigurement?” Catulus kept his fist pressed to his mouth. He looked a bit green.“It was a long fall,” explained my father, “from the top floor of an apartment in the Subura, five stories up. He landed on his head. As I say, the undertakers did what they could—”“Yes, I understand. Replace the mask, please.”“Of course, Consul.”Not for the first time, I wondered about the true identity of the corpse upon the bier. My father had declined to tell me, following his long-standing practice of keeping to himself any aspect of his work that he deemed unnecessary for me to know. When I turned seventeen, I had thought my father might see fit to share all his secrets with me, but if anything, he had become more guarded than ever during the last year. I knew that something very dangerous must be afoot in Rome, for Antipater to fake his own death, and for my father to assist him in such a wild scheme, but regarding the details, I had been kept in the dark.The elderly body on the bier was apparently an excellent match for Antipater; not one of the many visitors had expressed the least doubt. Of course, the only parts of the corpse that were visible were the long white hair and beard and the wrinkled, age-spotted hands crossed over the chest, the rest being covered by one of Antipater’s favorite garments and by the mask. The man truly had died from a fall in the Subura, just as my father described, cracking his skull and shattering his face. Had he been a slave, discreetly acquired from his owner? Or some lowlife criminal whom no one cared to claim? Or simply some ancient citizen of the Subura without family or friends to mourn him? Whoever he was, he had died at the right time and in such a manner that he could be passed off as Antipater. In a way, my father had done the poor fellow a favor; the dead man had been mourned by the best people in Rome and was about to receive funeral rites far above his station.&...

A Gladiator Dies Only Once
Steven Saylor
SUMMARY: 'Saylor evokes the ancient world more convincingly than any other writer of his generation.' -The Sunday Times (London) on The Judgment of Caesar Steven Saylor's Roma Sub Rosa series of novels, set in the later Roman Republic and featuring Gordianus the Finder, has garnered unusual acclaim from readers and reviewers alike, establishing him as one of the pre-eminent historical mystery writers. In A Gladiator Dies Only Once, the second collection of his award-winning Gordianus stories, Saylor more than meets the high standards of his previous work. Set mainly in the seventeen years between the events of his first novel, Roman Blood, and his third, Catilina's Riddle, these tales will delight his many fans while relating previously untold adventures of Gordianus' early career.

The Venus Throw
Steven Saylor
EDITORIAL REVIEW: On a chill January evening in 56 B.C., two strange visitors to Rome - an Egyptian ambassador and a eunuch priest - seek out Gordianus the Finder whose specialty is solving murders. But the ambassador, a philosopher named Dio, has come to ask for something Gordianus cannot give - help in staying alive. Before the night is out, he will be murdered. Now Gordianus begins his most dangerous case. Hired to investigate Dio's death by a beautiful woman with a scandalous reputation, he will follow a trail of political intrigue into the highest circles of power and the city's most hidden arenas of debauchery. There Gordianus will learn nothing is as it seems - not the damning evidence he uncovers, not the suspect he sends to trial, not even the real truth behind Dio's death which lies in secrets - not of state, but of the heart. **Steven Saylor** is the author of the long running series featuring Gordianus the Finder as well as the *New York Times* bestselling novel, *Roma*. He has appeared as an on-air expert on Roman history and life on The History Channel. He divides his time between Berkeley, California, and Austin, Texas. On a chill January evening in 56 B.C., two strange visitors to Rome—an Egyptian ambassador and a eunuch priest—seek out Gordianus the Finder whose specialty is solving murders. But the ambassador, a philosopher named Dio, has come to ask for something Gordianus cannot give—help in staying alive. Before the night is out, he will be murdered. Now Gordianus begins his most dangerous case. Hired to investigate Dio's death by a beautiful woman with a scandalous reputation, he will follow a trail of political intrigue into the highest circles of power and the city's most hidden arenas of debauchery. There Gordianus will learn nothing is as it seems—not the damning evidence he uncovers, not the suspect he sends to trial, not even the real truth behind Dio's death which lies in secrets—not of state, but of the heart. "Imaginative . . . Saylor's style is smooth . . . An absorbing look at a time when men tried to rule themselves wisely and failed."—***San Francisco Chronicle*** "Saylor writes with vision and clarity, balancing sound historical scholarship with a gift for storytelling."—***Anniston Star ***"Engrossing . . . Intensely dramatic . . . Erotic, funny, compelling . . . A bona fide page-turner."—***Detroit Free Press*** "Steven Saylor transports you to Ancient Rome with spellbinding effectiveness."—***Austin Chronicle*** "Finely etched historical background . . . The finest flower yet of Saylor's Roma Sub Rosa series."—***Kirkus Reviews ***"Engrossing . . . Simmering with eroticism . . . An absorbing brew of Rome's decay."—***Publishers Weekly*** **** **** **** **** **Table of Contents** CHRONOLOGY Part One: NEX [death, usually violent death: murder] Part Two: NOXIA [a fault or offense: a crime] Part Three: NOX [the goddess Night, sister of Eros; blindness; gloom] Part Four: NEXUS [a binding or tying together] AUTHOR'S NOTE