Darling Clementine is the story of Samantha, a poetess determined to transform her sex life into a meditation: a pathway to enlightenment. Along for the ride is her brand new husband, Arthur Clementine, a wealthy, calm, but crypto-zany assistant district attorney for New York County. The novel begins with their meeting and works its way backward and forward. In the past, a series of darkening love affairs lead Sam to a suicide attempt and a breakdown. Now, Samantha works on a suicide hotline and uses her marriage in a search for radical sanity, a sort of road show of Love’s Body. Along the way, she reconciles polymorphous perversity with housework; tries to talk one of William Blake’s deities out of killing himself—or someone else; and watches, with everyone else, as the world moves toward the ever popular brink of destruction. Darling Clementine is an effervescent combination of Henry Miller and P.G Woodhouse, in a character as daffy and enchanting as Truman Capote’s Holly Golightly was in Breakfast at Tiffany’s.
They are two sworn enemies with a single obsession: a woman on the run from them both.
Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel.
Julie spent one night with Foy—a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back.
There’s only one man who can find her: Weiss, the best locate operative in the business. She’s begged him not to look for her, fearing he’ll bring the killer in his wake. But Weiss can’t stay away.
Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie—and the killer follows, waiting for his chance.
They are two expert hunters matching move for move—until it ends on Damnation Street.
Charlie West just woke up in someone else's nightmare.
He's strapped to a chair. He's covered in blood and bruises. He hurts all over. And a strange voice outside the door just ordered his death.
The last thing he can remember, he was a normal high-school kid doing normal things--working on his homework, practicing karate, daydreaming of becoming an air force pilot, writing a pretty girl's number on his hand. How long ago was that? Where is he now? Who is he really?
And more to the point . . . how is he going to get out of this room alive?
What do you do when a mission trip suddenly leaves you caught in the middle of a revolution?
Will Peterson is part of a mission team that has traveled to Costa Verde to rebuild the wall of a school. It's been a great trip-until a revolution breaks out just before they board their plane to go home.
But then it becomes a desperate race to escape: from a firing squad, from savage animals in the depths of the jungle, from prison cells and revolutionaries with machine guns.
One of the girls is showing Will amazing things about what it means to be truly fearless. And one of the guys has the makings of a real hero. None of them will go home the same. If they only survive.
A dead source draws a newspaperman into a murder investigationMayforth Kendrick III is an unlikely name for a small-time drug dealer. As the grandson of a millionaire and the son of a Broadway mogul, Kendrick was minted for success from birth. But a fondness for controlled substances cut his education short, forcing him to make a living pushing drugs on the theater glitterati with whom he once mingled. New York Star reporter John Wells, who occasionally uses Kendrick as a source, may be his only friend. He is also one of the last to see him alive. He visits Kendrick’s seedy Alphabet City apartment because the young man has pictures to sell showing a Senate candidate involved in unsavory extramarital activities. Never a muckraker, Wells passes on them. The next day Kendrick is murdered and the pictures are gone. Wells smells a scoop, if he can only find the killer.
Voices invade a young woman’s head, compelling her to kill
When Nancy Kincaid comes into work, an unfamiliar woman tells her to leave. This is Nancy Kincaid’s office, the woman says, but you are not Nancy Kincaid. As Nancy protests, her memory grows fuzzy and her reason seems to slip away. None of her workmates recognize her, and she is distracted by a voice in her head that suggests she shoot them all. Ejected from her office, she collects herself in the park. A homeless man pesters her, mumbling that at eight o’clock—the animal hour—there is someone she has to kill. Over and over she tells him to leave, until she finds the pistol in her purse. She kills the bum and sets off a whirlwind of insane violence that will not stop until the animal hour comes to pass.
Do Right, Fear Nothing.
Sam Hopkins is a good kid who has fallen in with the wrong crowd. Hanging around with car thieves and thugs, Sam knows it’s only a matter of time before he makes one bad decision too many and gets into real trouble.
But one day, Sam sees these thugs harassing an eccentric schoolmate named Jennifer. Finding the courage to face the bullies down, Sam loses a bad set of friends and acquires a very strange new one.
Because Jennifer is not just eccentric. To Sam, she seems downright crazy. She has terrifying hallucinations involving demons, the devil, and death. And here’s the really crazy part: Sam is beginning to suspect that these visions may actually be prophecies’prophecies of something terrible that’s going to happen very soon. Unless he can stop it.
With no one to believe him, with no one to help him, Sam is now all alone in a race against time. Finding the truth before disaster strikes is going to be both crazy and very, very dangerous.
In the suburbs of Connecticut, a carpenter embarks on a gruesome killing spree
While preparing dinner for her husband, Mrs. Porter runs out of lemons. Driving to the supermarket, she yearns for life in New York City. The Porters moved to Connecticut because it was supposed to be safer, but that afternoon, when she returns home and finds a madman waiting with a knife in his hand. He doesn't just kill Mrs. Porter – he leaves behind a gory scene that would horrify even the hardest New York cop.
The killer is Paul White, a local carpenter whose wife knows nothing about his thirst for blood; Mrs. White is an innocent who lives to make her husband happy. As she begins to see shadows of Paul's vicious side, she will learn just how twisted love can be.
Rick emerged victorious from The Realm twice. Is his luck about to run out?
After multiple trips in and out of The Realm, Rick is becoming a part of it—a direct connection point has formed in his brain. He’s now slipping back and forth in his dreams and has become linked to The Realm and its creator in ways no one anticipated.
That link is an asset in terms of what Kurodar is planning . . . but it’s absolutely detrimental to Rick personally. If he doesn’t destroy Kurodar and The Realm quickly, he’ll be completely absorbed by them. But destroying The Realm will mean destroying Mariel, and Rick is still torn by his love for her and his love for Molly. How can he lose either of them?
Meanwhile, there’s still a traitor in their midst. So even if Rick figures out what he needs to do, actually doing it will be exponentially more difficult.
Tom Harding only wants the truth. But the truth is becoming more dangerous with every passing minute.
As a reporter for his high school newspaper, Tom Harding was tracking the best story of his life—when, suddenly, his life turned very, very weird. He woke up one morning to find his house empty . . . his street empty . . . his whole town empty . . . empty except for an eerie, creeping fog—and whatever creatures were slowly moving toward him through the fog.
Now Tom’s once-ordinary world has become something out of a horror movie. How did it happen? Is it real? Is he dreaming? Has there been a zombie apocalypse? Has he died and gone to hell?
Tom is a good reporter—he knows how to look for answers—but no one has ever covered a story like this before. With the fog closing in and the hungry creatures of the fog surrounding him, he has only a few hours to find out how he lost the world he knew. In this bizarre universe nothing is what it seems and everything—including Tom’s life—hangs in the balance.
Edgar Award-winner and internationally bestselling novelist tells of his improbable conversion from agnostic Jewish-intellectual to baptized Christian and of the books that led him there.
“Had I stumbled on the hallelujah truth, or just gone mad—or, that is, had I gone mad again?”
No one was more surprised than Andrew Klavan when, at the age of fifty, he found himself about to be baptized. Best known for his hard-boiled, white-knuckle thrillers and for the movies made from them—among them True Crime (directed by Clint Eastwood) and Don’t Say a Word (starring Michael Douglas)—Klavan was born in a suburban Jewish enclave outside New York City. He left the faith of his childhood behind to live most of his life as an agnostic in the secular, sophisticated atmosphere of New York, London, and Los Angeles. But his lifelong quest for truth—in his life and in his work—was leading him to a place he never expected.
In The Great Good Thing, Klavan tells how his troubled childhood caused him to live inside the stories in his head and grow up to become an alienated young writer whose disconnection and rage devolved into depression and suicidal breakdown. But he also stumbled into a genuine romance, a passionate and committed marriage whose uncommon and enduring devotion convinced him of the reality of love.
In those years, Klavan fought to ignore the insistent call of God, a call glimpsed in a childhood Christmas at the home of a beloved babysitter, in a transcendent moment at his daughter’s birth, and in a snippet of a baseball game broadcast that moved him from the brink of suicide. But more than anything, the call of God existed in stories—the stories Klavan loved to read and the stories he loved to write.
The Great Good Thing is the dramatic, soul-searching story of a man born into an age of disbelief who had to abandon everything he thought he knew in order to find his way to the truth.
Sustained by a deep religious faith, Jason Harrow has built a stable family and become a pillar of principle and patriotism in the Midwest. Then the phone rings, and his past is on the other end of the line. A woman with whom he once shared a life of violence and desire claims her daughter is missing and Jason is the one man who can find her.
Returning to New York City, Jason finds himself entangled in a murderous conspiracy only he can see and only he can stop a plot that bizarrely links his private passions to the turmoil of a world at war. Hunted by terrorists and by the police, Jason has only hours to unravel an ex-lover s lies and face the unbearable truth: In order to prevent a savage attack on his country, he s going to have to risk his decency, his sanity, and his life.
Praise for ANDREW KLAVAN
The most original American novelist of crime and suspense since Cornell Woolrich. Stephen King
Klavan does tough-guy heroes and sexual tension better than anyone writing today. Janet Evanovich
Klavan, who has a perfect sense of timing, delivers all the cliffhangers and hairpin turns that you want from a beat-the-clock suspense thriller. "The New York Times Book Review"
Klavan writes with an artisan s eye, a pro s assurance, and a poet s touch. [He] is one of my drop-everything-and-read authors. Gregg Hurwitz
Klavan winds his tale tighter and tighter until the reader is hopelessly spellbound. Clive Cussler
Klavan s confidently wry style keeps things punched up throughout. "The Atlantic Monthly"
A chance encounter in the woods causes a recluse to dredge up old memoriesHe meets her in a stranger's backyard. Harry is a child walking home from school, and Agnes is a young girl playing in the creek behind her house. While their parents speak, the children play, and Agnes explains the supernatural. She uses cookie dough to make statues of ghosts, she tells him, which she sets free in the river. So begins an enchantment that will last the rest of Harry's life. Years later he is a disbarred lawyer, living a reclusive life outside a Westchester commuter town. Memories of Agnes, dead for a decade, haunt him. He befriends a shivering young runaway, an encounter which forces him to confront his past for the first time, unearthing a mystery which stretches back to the Holocaust, and revolves around that strange young girl he met so long ago.
Rick Dial's life as a superstar quarterback ended when a car accident left him crippled. But his uncanny gaming ability caused him to catch the attention of a secret government organization trying to stop a cyber attack on America. He's been to the Realm . . . and returned to Real Life victorious.
But the stakes just went up. Another attack is imminent. Though they're in a hidden facility, there seems to be a traitor among them. Every time Rick returns to The Realm, he risks becoming trapped there permanently. And now, his best friend Molly is being held hostage. And they're threatening to kill her.
He's not sure the people in charge can be trusted. The people closest to him are in danger. A fate worse than death may be waiting for him. With no good options, how do you proceed?
In the tradition of "Ender's Game "and "The Matrix, "The MindWar Trilogy is a complex thriller about a seemingly ordinary teenager who discovers a hidden gift--a gift that could make him a hero . . . or cost him everything.
A tip from a dying cop puts a reporter on a long-closed murder caseEasy E.J. McMahon rests six feet underneath the playground at an elementary school in Little Italy. A one-time steakhouse owner with a gambling problem, his troubles started when a struggle broke out for control of a mob family, and E.J. backed the wrong man. E.J. fled to the airport, planning to hop a plane to Wyoming, but was met at the gate by two heavies with badges. As they dragged him out of the airport, he wailed that the men were not real cops. They put him under the cement while he was still breathing. Fifteen years later, newspaperman John Wells gets a call from a dying cop who wants to make a confession. Easy E.J. was wrong: They were cops, working on the mob payroll. Wells goes after the dead cop's partner, chasing a story so good that it might be worth getting buried alive.
"Never give in."
Ever since he woke up in a terrorist torture chamber--with a year of his life erased from his mind--Charlie West has been on the run. He has one desperate hope of getting his life back: track down the mysterious agent named Waterman. But in fact, reaching Waterman--and recovering the secrets lost in his own memory--will only increase his danger. Because a team of ruthless killers is rapidly closing in on him, determined to stop him from finding the answers. And the truth of the matter is more incredible...and more deadly...than he could ever imagine.
"Action sequences that never let up...wrung for every possible drop of nervous sweat."--"Booklist "review of "The Long Way Home"
Three years ago, working vice for the NYPD, Dan Champion uncovered a sex slavery ring run by a kingpin known only as the Fat Woman. Obsessed with bringing her down, Champion infiltrated a world of sexual obsession and perversity. He broke the case, but the case also broke him. He started taking drugs and soon began to form hallucinations…a dead child prowling the streets of New York…a beautiful woman named Samantha who would have given him the love he always wanted—if she’d only been real.
Now Champion is a small town detective, chasing burglars and juvenile delinquents, hanging out at the local tavern where he is romancing a waitress. The ghosts and hallucinations are finally behind him as he begins to rebuild his life. Then one night Champion is called to examine the body of a woman who has washed ashore. Yet when he looks at her face, he sees that it’s Samantha, the woman he dreamed about long ago...a woman who doesn’t exist.
Suddenly, Champion is haunted again, only this time it’s by a team of expert killers who want to make sure he never finds the truth: the truth about the dead child who wanders through his imagination; the truth about the lover who inhabits his dreams; and the truth about a killer who has been on the run — in the wind — for a lifetime. The ghosts of the dead are all around him, and Champion has to find out who murdered them, fast, or he could become one of them himself.
An Otto Penzler Book
John Shannon is a petty thief on the run. A three-time loser framed for a murder he didnâ€™t commit, he knows the cops are closing in on him and that heâ€™s facing life in prisonâ€”or death by lethal injection. Then, as if out of nowhere, a bizarre text message draws him to a meeting in the dark of night. A foreigner who calls himself the Identity Man offers Shannon an incredible chance to start again: a new face, a new home, a new beginning.
Soon, to his amazement, Shannon finds himself living a life he never dreamed possible. In a ruined city that is trying to rebuild, he finds work as a carpenter and a wood carver. He meets the beautiful Teresa Grey and for the first time falls in love with the sort of woman who could make him a better man.
It seems too good to be trueâ€”and it is. Just as Shannon feels within sight of redemption, all hell breaks loose. It turns out this ruined city is crawling with corruption. There are crooked politicians, gangsters, dirty cops everywhereâ€”and, for some reason he doesnâ€™t understand, all of them seem to want Shannon dead.
John Shannon has run out of second chances, and now heâ€™s running out of time. Moving through the darkness in the burnt-out shambles of a dirty town, heâ€™s got to ferret out the secret of his new lifeâ€”and fastâ€”if he wants to be left with any life at all.
John Wells, an old-school crime reporter on the New York Star, comes into conflict with his new boss Robert and when news of a teen suicide breaks, Wells is posted upstate off the crime beat. Gritting his teeth, he sets to work, but discovers that in Grant County, suicide may in fact be murder.
Sometimes you have to go home to find out who you really are.
Charlie West went to bed one night an ordinary high-school student. He woke up a hunted man. Terrorists are trying to kill him. The police want to arrest him for the stabbing death of his best friend. He doesn't know whose side he's on or who he can trust. With his pursuers closing in on every side, Charlie makes his way back to his hometown to find some answers. There, holed up in an abandoned mansion, he's joined by his friends in a desperate attempt to discover the truth about a murder he can't remember--and the love he can never forget.